ABSTRACT

Reading Contemporary Serial Television Universes provides a new framework—the metaphor of the narrative ecosystem—for the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in reference to specific series. Other scholarly approaches consider each narrative as composed of modular elements, which combine to create a bigger picture. The narrative ecosystem approach, on the other hand, argues that each portion of the narrative world contains all of the main elements that characterize the world as a whole, such as narrative tensions, production structures, creative dynamics and functions. The volume details the implications of the narrative ecosystem for narrative theory and the study of seriality, audiences and fandoms, production, and the analysis of the products themselves.

chapter |8 pages

Introduction

part I|102 pages

Theory

chapter 1|18 pages

New Paths in Transmediality as Vast Narratives

The State of the Field

chapter 4|17 pages

Audiences and Fan Studies

Technological Communities and Their Influences on Narrative Ecosystems

chapter 6|18 pages

The Evolution of Characters in TV Series

Morphology, Selection, and Remarkable Cases in Narrative Ecosystems

part II|115 pages

Analysis

chapter 7|15 pages

An Italian Ecosystem

Gomorra

chapter 9|23 pages

“You’re Sherlock Holmes, Wear the Damn Hat!”

Character Identity in a Transfiction

chapter 10|17 pages

The Specificities of the North-European Seriality

Strong Local Voices in a Global Media-World

chapter 11|17 pages

‘Event’ TV Drama within Narrative Ecosystems

‘Extended Seriality’ and Differing Paratextual Orientations in the 50th Anniversaries of Cult TV Shows

chapter 12|25 pages

The Game of Game of Thrones

Networked Concordances and Fractal Dramaturgy