ABSTRACT

Envisioning Networked Urban Mobilities brings together scientific reflections on the relations of art and urban mobilities and artistic research on the topic. The editors open the book by setting out the concept grounded in the exhibition curated by Aslak Aamot Kjærulff and refers to earlier work on mobilities and art generated by the Cosmobilities Network. This third volume has two sections, both consisting of short papers and illustrations. The first section is based on artists who were part of the conferences' art exhibition, and the second part is based on theoretical reflections on art and artists.

chapter 1|5 pages

Networked Urban Mobilities

Art, Performances, Impacts

chapter 2|9 pages

Curating Conversations

Reformulating Questions in Mobilities Arts and Research

chapter 3|11 pages

Reflective Assemblages

Real and Imagined Mobilities in Locative Media Art

chapter 4|12 pages

On Becoming a Parcel

Artistic Interventions as Ways of Knowing Mobile Worlds

chapter 5|10 pages

Listening to Mobility and Location-Based Media

Verdun Music-Route

chapter 6|15 pages

Revealing Roads

The Spectral Sounds of Motorways

chapter 7|9 pages

Developing Colony

Objects for Investigation; Spaces for Conversation

chapter 8|13 pages

(Re)Envisioning the Anti-Urban

Artistic Responses in the Walking With Wordsworth and Bashō Exhibition

chapter 9|11 pages

Performative Fungal Strategies

Or How I Stopped Worrying and Started Loving the Network

chapter 10|13 pages

Stop and Go

Investigating Nodes of Transformation and Transition

chapter 11|14 pages

Drawing the Dardanelles

Art History and Mobilities Studies

chapter 12|12 pages

Ghosts of Our Consumption

The Debris Project

chapter 15|8 pages

Mobile Performing Arts

Facts, Figures, and What They Say About Reality