ABSTRACT
Among the ceremonial features of Abbasid court life was the recitation of poems in praise of the Caliphs and notables. These followed a clearly preordained pattern in their composition, and on recitation in the presence of the assembled court their authors were not seldom richly rewarded with money and robes of honour. The analysis of the poetic form of the "royal" panegyrics show that its development is a perfect illustration of the function of Kingship in society. It suggests that this poetry is a liturgical expression of the basic values and political ideals of the Abbasid state. In the panegyric the essential role of Kingship is recreated and reaffirmed as the development proceeds from chaos and suffering to order and prosperity. Its recitation amounts to a public renewal of faith in the state while reminding the sovereign of the duties of his high office.
