ABSTRACT

Representing the Other in Modern Japanese Literature looks at the ways in which authors writing in Japanese in the twentieth century constructed a division between the ‘Self’ and the ‘Other’ in their work. Drawing on methodology from Foucault and Lacan, the clearly presented essays seek to show how Japanese writers have responded to the central question of what it means to be ‘Japanese’ and of how best to define their identity.

Taking geographical, racial and ethnic identity as a starting point to explore Japan's vision of 'non-Japan', representations of the Other are examined in terms of the experiences of Japanese authors abroad and in the imaginary lands envisioned by authors in Japan.

Using a diverse cross-section of writers and texts as case studies, this edited volume brings together contributions from a number of leading international experts in the field and is written at an accessible level, making it essential reading for those working in Japanese studies, colonialism, identity studies and nationalism.

chapter |18 pages

Introduction

Self and Other in modern Japanese literature

chapter 1|19 pages

Hermes and Hermès: Othernesses in modern Japanese literature

Othernesses in modern Japanese literature

chapter 2|16 pages

Meet me on the other side

Strategies of Otherness in modern Japanese literature

part I|70 pages

External others

chapter 3|18 pages

Who holds the whip?

Power and critique in Nagai Kafū's Tales of America

chapter 4|21 pages

‘Foreign bodies’

‘Race’, gender and orientalism in Tanizaki Jun'ichirō's ‘The Mermaid's Lament’

chapter 6|16 pages

Yokomitsu Riichi's Others

Paris and Shanghai

part II|128 pages

Internal others

chapter 7|18 pages

Passing

Paradoxes of alterity in The Broken Commandment

chapter 9|18 pages

Sincerely yours

Uno Chiyo's A Wife's Letters as wartime subversion

chapter 10|28 pages

Foreign Sex, native politics

Lady Chatterley's Lover in post-occupation Japan

chapter 11|19 pages

The way of the survivor

Conversion and inversion in Ōe Kenzaburō's Hiroshima Notes

chapter 12|23 pages

Free to write

Confronting the present, and the past, in Shiina Rinzō's The Beautiful Woman

part III|79 pages

Liminal sites

chapter 14|21 pages

Modernity, history, and the uncanny

Colonial encounter and the epistemological gap

chapter 15|20 pages

‘There's no such place as home’

Gotō Meisei, or identity as alterity

chapter 16|20 pages

Beyond language

Embracing the figure of ‘the Other’ in Yi Yang-ji's Yuhi