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      T. S. Eliot’s Orchestra
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      Book

      T. S. Eliot’s Orchestra

      DOI link for T. S. Eliot’s Orchestra

      T. S. Eliot’s Orchestra book

      Critical Essays on Poetry and Music

      T. S. Eliot’s Orchestra

      DOI link for T. S. Eliot’s Orchestra

      T. S. Eliot’s Orchestra book

      Critical Essays on Poetry and Music
      ByJohn Xiros Cooper
      Edition 1st Edition
      First Published 2000
      eBook Published 13 April 2020
      Pub. Location New York
      Imprint Routledge
      DOI https://doi.org/10.4324/9780203054949
      Pages 378
      eBook ISBN 9780203054949
      Subjects Arts
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      Cooper, J.X. (2000). T. S. Eliot’s Orchestra: Critical Essays on Poetry and Music (1st ed.). Routledge. https://doi.org/10.4324/9780203054949

      ABSTRACT

      First Published in 2000. Nearly everyone who addresses T. S. Eliot's imaginative and critical work must acknowledge the importance of music in thematic and formal terms. This collection of original essays thoroughly explores this aspect of his work from a number of perspectives.

      TABLE OF CONTENTS

      part Part I|107 pages

      Eliot and Popular Musical Culture

      chapter Chapter 1|22 pages

      A Jazz-Banjorine, Not a Lute

      Eliot and Popular Music before The Waste Land
      ByDavid Chinitz

      chapter Chapter 2|23 pages

      Culture, Race, Rhythm

      Sweeney Agonistes and the Live Jazz Break
      ByKevin McNeilly

      chapter Chapter 3|15 pages

      Raising Life to a Kind of Art

      Eliot and Music Hall
      ByJonna Mackin

      chapter Chapter 4|20 pages

      Protective Coloring

      Modernism and Blackface Minstrelsy in the Bolo Poems
      ByJonathan Gill

      chapter Chapter 5|23 pages

      Thinking with Your Ears

      Rhapsody, Prelude, Song in Eliot’s Early Lyrics
      ByJohn Xiros Cooper

      part Part II|38 pages

      You Are the Music

      chapter Chapter 6|18 pages

      Eliot’s Impossible Music

      ByBrad Bucknell

      chapter Chapter 7|18 pages

      Eliot’s Ars Musica Poetica

      Sources in French Symbolism
      ByJohn Adames

      part Part III|194 pages

      Eliot and the Composers

      chapter Chapter 8|30 pages

      The Pattern from the Palimpsest

      Convergences of Eliot, Tippett, and Shakespeare
      BySuzanne Robinson

      chapter Chapter 9|16 pages

      Movements in Time

      Four Quartets and the Late String Quartets of Beethoven
      ByDavid Barndollar

      chapter Chapter 10|19 pages

      “My God, What Has Sound Got to Do with Music?!”

      Interdisciplinarity in Eliot and Ives
      ByJ. Robert Browning

      chapter Chapter 11|29 pages

      Benjamin Britten and T. S. Eliot

      Entre Deux Guerres and After
      ByC. F. Pond

      chapter Chapter 12|22 pages

      Reading Aloud and Composing

      Two Ways of Hearing a Poem
      ByDavid Banks

      chapter Chapter 13|28 pages

      Orchestrating The Waste Land

      Wagner, Leitmotiv, and the Play of Passion
      ByMargaret E. Dana

      chapter Chapter 14|39 pages

      A Tale of Two Artists

      Eliot, Stravinsky, and Disciplinary (Im)Politics
      ByJayme Stayer

      chapter |6 pages

      Checklist of Musical Settings of Eliot’s Works

      ByBrent E. Whitted, Andrew Shenton
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