ABSTRACT

The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cultural and historical context to the facts. The alphabetical entries are preceded by a substantial historical section, incorporating material on the the main studios and analysing the impact of Chinese film abroad as well as at home in recent years.
This Encyclopedia meets the needs, equally, of
* the film studies scholar
* the student of Chinese culture
* the specialist in Chinese film
* the curious viewer wanting to know more.
Additional features include:
* comprehensive cross-references and suggestions for further reading
* a list of relevant websites
* a chronology of films and a classified contents list
* three indexes
- (one of film and tv titles with directors names and year of release, one of names including actors, writers, directors and producers and one of studios, all with pinyin romanizations)
* a glossary of pinyin romanizations, Chinese characters and English equivalents to aid the specialist in moving between Chinese titles and English translations.

part |2 pages

Part I Historical essays

chapter |28 pages

Chinese cinema

chapter |16 pages

Hong Kong cinema

Paul Fonoroff

chapter |16 pages

Taiwan cinema

chapter |3 pages

Transnational cinema: mainland China, Hong Kong and Taiwan

Yingjin Zhang Transnational Chinese cinema is a critical term formulated in the early 1990s to account for the transnational capital flow in the making of many new Chinese films and to capture the

chapter |4 pages

Chinese film in the West

Yingjin Zhang Since the mid-1980s, Chinese film has made a strong impact in the West (i.e., Europe, North America and Australia). Chinese films from the mainland, Hong Kong and Taiwan have won film awards at international film festivals such as Berlin, Cannes, Locarno, Montreal, Nantes,

chapter |3 pages

Foreign films in China

Zhiwei Xiao Film was introduced into China by Westerners in the late nineteenth century. Since then, China’s film market had been dominated by foreign films until 1950 when the PRC adopted a policy that opposed Western cultural influence. Although domestic film production began as

chapter |324 pages

Part II: Main entries

chapter |15 pages

Bibliography

Items of essential reading are preceded by asterisks. Chinese titles are limited to book-length studies, general surveys or major sources.

chapter |1 pages

Select Internet web sites on Chinese cinema

Web sites with substantial information are preceded by asterisks.