ABSTRACT

This interdisciplinary collection explores the confluence of American and British (neo)imperalism in the Pacific, as represented in various forms of Pacific discourse including literature, ethnography, film, painting, autobiography, journalism, and environmental discourse. It investigates the alliances and rivalries between these two colonial powers during the crucial transition period of the early-to-mid twentieth century, also exploring indigenous Pacific responses to Anglo-American imperialism during and beyond the decolonization period of the late twentieth century. While the relationship between Britain and the US has been analyzed through prominent forms of economic and cultural exchange between Europe, Africa, and the Americas, there is to date no sustained study of the relationship between British and US colonial expansion into the Pacific, which became central to ideas of developing ‘European’ modernity in the late eighteenth century and has played a pivotal in the history of Anglo-American colonialism, from the establishment of plantation economies and settler colonies in the nineteenth century to various forms of military imperialism during and beyond the twentieth century. The wide range of discursive and expressive modes explored in this collection makes for a rich and multifaceted analysis of representations of, and responses to, Anglo-American imperialism, and is in keeping with the current interdisciplinary turn in postcolonial studies.

chapter |22 pages

Introduction

part I|66 pages

Military, Religious and Cultural Imperialism in Pacific Literature

chapter 1|26 pages

War and Redemption

Militarism, Religion and Anti-Colonialism in Pacific Literature

chapter 2|19 pages

Reading Imperialism in the Pacific

The Prose of Joseph Veramu and the Poetry of Sia Figiel

chapter 3|21 pages

Slow Walking, Fast Talking

PI Poetry and Imperialisms

part II|57 pages

Transatlantic Trajectories in Pacific Film, Photography and the Visual Arts

chapter 4|21 pages

It’s Raining in Pago

The Body, Religion and Race in W. Somerset Maugham’s ‘Rain’ and Its Film Adaptations

chapter 5|21 pages

The Voyager’s Sublime

Kodachrome and Pacific Tourism

chapter 6|15 pages

Culture and Imperialism

John Pule’s Painting, 1990–2010

part III|55 pages

Cross-Cultural Alliances and Tensions in Pacific Discourse

chapter 7|20 pages

Lunchtime at the Bernice Pauahi Bishop Museum

Notes on Working Friendships among Natives and Non-Natives and Imperial Anglo-Americanism in Territorial Hawai‘i (1900–1959)

chapter 8|17 pages

Cowboys and Coconuts

Robert Dean Frisbie in the Colonial Pacific

chapter 9|18 pages

Annexation and the Environment

Writing, Reading, Reanimating ‘Āina 1

chapter |5 pages

Afterword

In Memoriam Teresia Teaiwa (1968–2017)