ABSTRACT

First published in 1994. The Modern Monologue is a continuation of the previous collection The Classical Monologue. This starts at the dawn of the modern age in 1892, presenting a survey of indispensable speeches from plays that continue to shape the course of modern theatre. The plays included in this collection also happen to be the ones that have helped to define modern acting in all its many guises. Modern playwrights such as Brecht, Genet, Beckett, Ionesco, Pinter, Shepard, Guare, Nichols and Churchill, to name only a handful of the dramatists represented here, assume that a play and its characters are malleable and shifting; that mood swings, strangeness and sudden eruptions are key components of modern theatre's compelling attraction.

chapter |4 pages

Absent Friends (1974) Alan Ayckbourn

chapter |2 pages

After the Fall (1964) Arthur Miller

chapter |3 pages

Antigone (1944) Jean Anouilh

chapter |3 pages

The Balcony (1956) Jean Genet

chapter |4 pages

Blithe Spirit (1941) Noel Coward

chapter |2 pages

The Cocktail Party (1950) T. S. Eliot

chapter |4 pages

Hello and Goodbye (1965) Athol Fugard

chapter |2 pages

The Iceman Cometh (1940) Eugene O'Neill

chapter |3 pages

Jumpers (1972) Tom Stoppard

chapter |3 pages

La Turista (1967) Sam Shepard

chapter |3 pages

The Lark (1953) Jean Anouilh

chapter |3 pages

Look Back in Anger (1956) John Osborne

chapter |5 pages

The Maids (1947) Jean Genet

chapter |2 pages

Old Times (1971) Harold Pinter

chapter |2 pages

Otherwise Engaged (1975) Simon Gray

chapter |4 pages

Pygmalion (1912) Bernard Shaw

chapter |3 pages

Sawd (1965) Edward Bond

chapter |3 pages

The Sea (1973) Edward Bond