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Facts, Fiction, and African Creative Imaginations

Book

Facts, Fiction, and African Creative Imaginations

DOI link for Facts, Fiction, and African Creative Imaginations

Facts, Fiction, and African Creative Imaginations book

Facts, Fiction, and African Creative Imaginations

DOI link for Facts, Fiction, and African Creative Imaginations

Facts, Fiction, and African Creative Imaginations book

Edited ByToyin Falola, Fallou Ngom
Edition 1st Edition
First Published 2009
eBook Published 31 August 2009
Pub. Location New York
Imprint Routledge
DOI https://doi.org/10.4324/9780203872659
Pages 352
eBook ISBN 9780203872659
Subjects Area Studies, Humanities, Language & Literature, Social Sciences
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Falola, T., & Ngom, F. (Eds.). (2009). Facts, Fiction, and African Creative Imaginations (1st ed.). Routledge. https://doi.org/10.4324/9780203872659

ABSTRACT

This volume brings together insights from distinguished scholars from around the world to address the facts, fiction and creative imaginations in the pervasive portrayals of Africa, its people, societies and cultures in the literature and the media. The fictionalization of Africa and African issues in the media and the popular literature that blends facts and fiction has rendered perceptions of Africa, its cultures, societies, customs, and conflicts often superficial and deficient in the popular Western consciousness. The book brings eminent scholars from a variety of disciplines to sort out the persistent fictionalization of Africa, from facts pertaining to the genesis of powerful cultural, political or religious icons, the historical and cultural significance of "intriguing" customs (such as tribal marks), gender relations, causes of conflicts and African responses, and creative imaginations in contemporary African films, fiction and literature, among others.

TABLE OF CONTENTS

chapter |20 pages

Introduction

ByTOYIN FALOLA, FALLOU NGOM

part |2 pages

Part I Significance of African Popular Icons and Culture

chapter 1|25 pages

Whose Image of Whose Africa? Problems of Representation in Ryszard Kapuscinski’s The Shadow of the Sun

ByLENA L. KHOR

chapter 2|12 pages

Prophetess: Aline Sitoé Diatta as a Contested Icon in Contemporary Senegal

ByContemporary Senegal ROBERT M. BAUM

chapter 3|15 pages

Custom and Politics in Ghanaian Popular Culture BEVERLY J. STOELTJE

chapter 4|16 pages

Tribal Marks among the Oyo Yoruba of Southwestern Nigeria in the 21st Century

ByELIZABETH ADENIKE AJAYI AND SEKINAT KOLA-ADEROJU

chapter 5|12 pages

Echoes of African Praise Songs in the Poetry of Kamau Brathwaite

ByKamau Brathwaite MICHAEL SHARP

part |2 pages

Part II Religion and African Creative Imaginations

chapter 6|17 pages

Devil Worship as a Moral Discourse about Youth in Kenya

ByDAVID A. SAMPER

chapter 7|12 pages

A Historical Analysis of Ojude-Oba Festival in Ijebu Ode,

ByNigeria ABIODUN AKEEM OLADITI

chapter 8|17 pages

Temne Agency in the Propagation and Africanization of Islam in Colonial Freetown, 1920–1961

ByJOSEPH J. BANGURA

chapter 9|10 pages

The Antenna and the Mosque: Liberatory Mass Media in Moolaadé

ByGERISE HERNDON

part |2 pages

Part III Gender and African Artistic Imaginations

chapter 10|27 pages

Reimagining Gender Spaces in Abbas Sadiq’s and Zainab Idris’s Video-Film Albashi

ByCARMEN MCCAIN

chapter 11|17 pages

“What’s an Old Man Like You Doing with a Saignante Like Me?”

ByKENNETH W. HARROW

chapter 12|13 pages

An African Feminist Analysis of Popular Culture

ByROBERTA K. TIMOTHY

chapter 13|13 pages

Other Monsters: Gender Complexities of (Femi/woma/ stiwa)nism in Bessie Head’s When Rain Clouds Gather SIMONE SESSOLO

part |2 pages

Part IV African Cultures and Artistic Imaginations

chapter 14|17 pages

Lu jot bët bi? (Wolof: What’s Wrong with the Eye [I]?) Ousmane Sembène and Djibril Diop Mambéty: African Cinema Rhetoric and the Search for Authenticity

ByDEBBIE OLSON

chapter 15|13 pages

Dak’Art, Biennial of Contemporary African Art: Conjunction of Styles and Concepts

ByHÉLÈNE TISSIÈRES

chapter 16|22 pages

Gloom and Grime to Crime: Fate of Migrants as Depicted in Journey Motif by Two Nigerian Movies

ByKAYODE ANIMASAUN

chapter 17|17 pages

The No.1 Popular Detective Series, the Invention of Botswana and the Postcolonial Sublime

ByDEREK BARKER

chapter 18|11 pages

Narration and Vernacular in Mohamed Berrada’s Lu’bat al-Nisyān

ByJOHANNA SELLMAN
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