ABSTRACT

Since first going on the air in 1972, HBO has continually attempted to redefine television as we know it. Today, pay television (and HBO in particular) is positioned as an alternative to network offerings, consistently regarded as the premier site for what has come to be called "quality television."

This collection of new essays by an international group of media scholars argues that HBO, as part of the leading edge of television, is at the center of television studies’ interests in market positioning, style, content, technology, and political economy. The contributors focus on pioneering areas of analysis and new critical approaches in television studies today, highlighting unique aspects of the "HBO effect" to explore new perspectives on contemporary television from radical changes in technology to dramatic shifts in viewing habits.

It’s Not TV provides fresh insights into the "post-television network" by examining HBO’s phenomenally popular and pioneering shows, including The Sopranos, The Wire, Six Feet Under, Sex and the City as well as its failed series, such as K Street and The Comeback. The contributors also explore the production process itself and the creation of a brand commodity, along with HBO’s place as a market leader and technological innovator.

Contributors: Kim Akass, Cara Louise Buckley, Rhiannon Bury, Joanna L. Di Mattia, Blake D. Ethridge, Tony Kelso, Marc Leverette, David Marc, Janet McCabe, Conor McGrath, Shawn McIntosh, Brian L. Ott, Avi Santo, Lisa Williamson

Foreword by Toby Miller

Marc Leverette is Assistant Professor of Media Studies at Colorado State University. He is author of Professional Wrestling, the Myth, the Mat, and American Popular Culture and co-editor of Zombie Culture: Autopsies of the Living Dead and Oh My God, They Deconstructed South Park! Those Bastards!

Brian L. Ott is Associate Professor of Media Studies at Colorado State University. He is author of The Small Screen: How Television Equips Us to Live in the Information Age.

Cara Louise Buckley is a lecturer at Emerson College.

chapter |10 pages

Introduction

part |2 pages

Part I Industry and economics

chapter |6 pages

Introduction: The not TV industry

ByMARC LEVERETTE

chapter 3|18 pages

Will Yingshuiji buzz help HBO Asia?

BySHAWN McINTOSH

chapter 4|12 pages

It’s not TV, it’s HBO’s original programming: Producing quality TV

ByJANET McCABE AND KIM AKASS

part |2 pages

Part II Texts and contexts

chapter |4 pages

Introduction: The not TV text

ByBRIAN L. OTT

chapter 5|7 pages

Carnivàle: TV drama without TV genre

ByDAVID MARC

chapter 7|29 pages

“Cocksucker, Motherfucker, Tits”

ByMARC LEVERETTE

chapter 8|13 pages

Baltimore on The Wire: The tragic moralism of David Simon

ByDavid Simon BLAKE D. ETHRIDGE

part |2 pages

Part III Audiences and identity

chapter |4 pages

Introduction: The not TV audience

ByCARA LOUISE BUCKLEY

chapter 9|19 pages

K Street: “Raping HBO” or “What HBO is All About”?

ByCONOR McGRATH

chapter 10|19 pages

Praise you like I should: Cyberfans and Six Feet Under

ByRHIANNON BURY

chapter 11|18 pages

Fashion(able/ing) selves: Consumption, identity, and Sex and the City

ByCARA LOUISE BUCKLEY AND BRIAN L. OTT

chapter 12|21 pages

“No country for the infirm”: Angels in an unchanged America

ByJOANNA L. DI MATTIA

chapter |5 pages

Contributors