ABSTRACT

The Garland Handbook of Latin American Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 2, South America, Mexico, Central America, and the Carribean, (1998). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Latin America and examine the ways in which music helps to define the identity of this particular area.

Part One provides an in-depth introduction to the area of Latin America and describes the history, geography, demography, and cultural settings of the regions that comprise Latin America. It also explores the many ways to research Latin American music, including archaeology, iconography, mythology, history, ethnography, and practice. Part Two focuses on issues and processes, such as history, politics, geography, and immigration, which are responsible for the similarities and the differences of each region’s uniqueness and individuality. Part Three focuses on the different regions, countries, and cultures of Caribbean Latin America, Middle Latin America, and South America with selected regional case studies.

The second edition has been expanded to cover Haiti, Panama, several more Amerindian musical cultures, and Afro-Peru. Questions for Critical Thinking at the end of each major section guide focus attention on what musical and cultural issues arise when one studies the music of Latin America -- issues that might not occur in the study of other musics of the world. Two audio compact discs offer musical examples of some of the music of Latin America.

part Part 1|35 pages

Introduction to the Music Cultures of the Region

chapter |11 pages

A Profile of the Lands and People of Latin America

ByDale A. Olsen

chapter |23 pages

Studying Latin American Music

ByDale A. Olsen

part Part 2|64 pages

Issues and Processes in the Music of Latin America

chapter |12 pages

Musical Genres and Contexts

ByAnthony Seeger

chapter |13 pages

Social Structure, Musicians, and Behavior

ByAnthony Seeger

chapter |12 pages

Musical Dynamics

ByAnthony Seeger

chapter |10 pages

Music of Immigrant Groups

ByDale A. Olsen

part |76 pages

Nations and Musical Traditions

chapter |3 pages

Caribbean Latin America

ByDale A. Olsen, Daniel E. Sheehy

chapter |21 pages

Cuba

ByOlavo Alén Rodríguez

chapter |17 pages

Haiti

ByGage Averill, Lois Wilcken

chapter |20 pages

The Dominican Republic

ByMartha Ellen Davis

chapter |13 pages

Puerto Rico

ByHéctor Vega Drouet

chapter |88 pages

Questions for Critical Thinking

Caribbean Latin American Music
ByDale A. Olsen, Daniel E. Sheehy

chapter |4 pages

Middle Latin America

ByDale A. Olsen, Daniel E. Sheehy

chapter |28 pages

Mexico

ByDaniel E. Sheehy

chapter |7 pages

Tarahumara

ByJ. Richard Haefer

chapter |18 pages

Guatemala

ByLinda O'Brien-Rothe

chapter |16 pages

Panama

ByRonald R. Smith

chapter |14 pages

Kuna

BySandra Smith

chapter |224 pages

Questions for Critical Thinking

Middle Latin American Music
ByDale A. Olsen, Daniel E. Sheehy

chapter |2 pages

South America

ByDale A. Olsen, Daniel E. Sheehy

chapter |8 pages

The Music of South America

ByDale A. Olsen

chapter |16 pages

The Tropical-Forest Region

ByAnthony Seeger

chapter |24 pages

Venezuela

ByMax H. Brandt

chapter |11 pages

Warao

ByDale A. Olsen

chapter |26 pages

Brazil: Central and Southern Areas

BySuzel Ana Reily

chapter |18 pages

Afro-Brazilian Traditions

ByGerard Béhague

chapter |15 pages

Paraguay

ByTimothy D. Watkins

chapter |23 pages

Argentina

ByErcilia Moreno Chá

chapter |9 pages

Mapuche

ByCarol E. Robertson

chapter |21 pages

Bolivia

ByHenry Stobart

chapter |25 pages

Peru

ByRaúl R. Romero

chapter |11 pages

Q'eros

ByJohn Cohen, Holly Wissler

chapter |14 pages

Afro-Peruvian Traditions

ByWilliam David Tompkins

chapter |5 pages

Questions for Critical Thinking

South American Music
ByDale A. Olsen, Daniel E. Sheehy

chapter |4 pages

Conclusion

ByDale A. Olsen

chapter |2 pages

Questions for Critical Thinking

Latin American Music
ByDale A. Olsen, Daniel E. Sheehy