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      Museums and Source Communities
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      Book

      Museums and Source Communities

      DOI link for Museums and Source Communities

      Museums and Source Communities book

      A Routledge Reader

      Museums and Source Communities

      DOI link for Museums and Source Communities

      Museums and Source Communities book

      A Routledge Reader
      Edited ByAlison K. Brown, Laura Peers
      Edition 1st Edition
      First Published 2003
      eBook Published 26 June 2003
      Pub. Location London
      Imprint Routledge
      DOI https://doi.org/10.4324/9780203987834
      Pages 304
      eBook ISBN 9780203987834
      Subjects Humanities, Museum and Heritage Studies
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      Brown, A.K., & Peers, L. (Eds.). (2003). Museums and Source Communities: A Routledge Reader (1st ed.). Routledge. https://doi.org/10.4324/9780203987834

      ABSTRACT

      This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.

      Focusing on museums in  the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:

      • the museum as field site or 'contact zone' - a place which source community members enter for purposes of consultation and collaboration
      • visual repatriation - the use of photography to return images of ancestors, historical moments and material heritage to source communities
      • exhibition case studies - these are discussed to reveal the implications of cross-cultural and collaborative research for museums, and how such projects have challenged established attitudes and practices.

      As the first overview of its kind, this collection will be essential reading for museum staff working with source communities, for community members involved with museum programmes, and for students and academics in museum studies and social anthropology.

      TABLE OF CONTENTS

      chapter |16 pages

      Introduction

      ByLAURA PEERS, ALISON K. BROWN

      part |1 pages

      PART 1 Museums and contact work

      chapter |9 pages

      Introduction

      ByTRUDY NICKS

      chapter 1|14 pages

      Yup’ik elders in museums: fieldwork turned on its head

      ByANN FIENUP-RIORDAN

      chapter 2|13 pages

      The object in view: Aborigines, Melanesians, and museums

      ByLISSANT BOLTON

      chapter 3|17 pages

      The Arts of the Sikh Kingdoms: collaborating with a community

      ByEITHNE NIGHTINGALE, DEBORAH SWALLOW

      chapter 4|8 pages

      Integrating Native views into museum procedures: hope and practice at the National Museum of the American Indian

      ByNANCY B. ROSOFF

      part |1 pages

      PART 2 Talking visual histories

      chapter |17 pages

      Introduction

      ByELIZABETH EDWARDS

      chapter 5|11 pages

      Taking the photographs home: the recovery of a Ma¯ori history

      ByJUDITH BINNEY, GILLIAN CHAPLIN

      chapter 6|12 pages

      Looking to see: reflections on visual repatriation in the Purari Delta, Gulf Province, Papua New Guinea

      ByJOSHUA A. BELL

      chapter 7|13 pages

      Remembering our namesakes: audience reactions to archival film of King Island, Alaska

      ByDEANNA PANIATAAQ KINGSTON

      chapter 8|16 pages

      Snapshots on the dreaming: photographs of the past and present

      ByJOHN E. STANTON

      part |1 pages

      PART 3 Community collaboration in exhibitions: toward a dialogic paradigm

      chapter |16 pages

      Introduction

      ByRUTH B. PHILLIPS

      chapter 9|10 pages

      How to decorate a house: the renegotiation of cultural representations at the University of British Columbia Museum of Anthropology

      ByMICHAEL M. AMES

      chapter 10|13 pages

      Curating African Worlds

      ByANTHONY SHELTON

      chapter 11|14 pages

      Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge

      ByTorres Strait and Cambridge ANITA HERLE

      chapter 12|19 pages

      Transforming archaeology through practice: strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt

      BySTEPHANIE MOSER, DARREN GLAZIER, JAMES E. PHILLIPS

      chapter 13|15 pages

      Glenbow’s Blackfoot Gallery: working towards co-existence

      ByGERALD T. CONATY

      chapter |10 pages

      Afterword: beyond the frame

      ByPAUL TAPSELL
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