ABSTRACT

Through an analysis of a wide array of contemporary Chinese literature from inside and outside of China, this volume considers some of the ways in which China and Chineseness are understood and imagined.

Using the central theme of the way in which literature has the potential to both reinforce and to undermine a national imaginary, the volume contains chapters offering new perspectives on well-known authors, from Jin Yucheng to Nobel Prize winning Mo Yan, as well as chapters focusing on authors rarely included in discussions of contemporary Chinese literature, such as the expatriate authors Larissa Lai and Xiaolu Guo. The volume is complemented by chapters covering more marginalized literary figures throughout history, such as Macau-born poet Yiling, the Malaysian-born novelist Zhang Guixing, and the ethnically Korean author Kim Hak-ch’ŏl. Invested in issues ranging from identity and representation, to translation and grammar, it is one of the few publications of its kind devoting comparable attention to authors from Mainland China, authors from Manchuria, Macau, and Taiwan, and throughout the global Chinese diaspora.

Reading China Against the Grain: Imagining Communities is a rich resource of literary criticism for students and scholars of Chinese studies, sinophone studies, and comparative literature

chapter |14 pages

Introduction

My language is not my own: translation, displacement, and contemporary Chinese literature

part I|57 pages

Mainland China

chapter 1|13 pages

Allegorizing History

Realism and fantasy in Mo Yan’s fictional China

chapter 2|11 pages

Unattainable Maturity

Yu Hua’s Cries in the Drizzle as an anti-bildungsroman

chapter 3|18 pages

Frankenstein vs. Dracula

Romanticisms and the ideologies of poetry in contemporary China

part II|86 pages

Border regions

chapter 5|15 pages

Wolf Totem

An allegory of the future

chapter 6|22 pages

Writing the Motherland(s) on their Borders

Kim Hak-ch’ŏl and his cultural criticism of Maoist China

chapter 7|16 pages

Keeping to the Margins

Macau literature and a pre-postcolonial “poetics of insignificance”

chapter 8|31 pages

Explaining “Graphs” and Analyzing “Characters”

Zhang Guixing’s novels and Sinophone literature’s cultural imaginings and representational strategies

part III|73 pages

The global Chinese diaspora

chapter 9|17 pages

Tales Out of School

Campus fiction from Taiwan

chapter 11|24 pages

From Chinese Diaspora to Sinospore

Multispecies Chineseness and transmemory in Larissa Lai’s Salt Fish Girl

chapter 12|18 pages

Xiaolu Guo’s I am China

On copulas and copulation