ABSTRACT

The Routledge Handbook of Shakespeare and Interface provides a ground-breaking investigation into media-specific spaces where Shakespeare is experienced. While such operations may be largely invisible to the average reader or viewer, the interface properties of books, screens, and stages profoundly mediate our cognitive engagement with Shakespeare.

This volume considers contemporary debates and questions including how mobile devices mediate the experience of Shakespeare; the impact of rapidly evolving virtual reality technologies and the interface architectures which condition Shakespearean plays; and how design elements of hypertext, menus, and screen navigation operate within internet Shakespeare spaces. Charting new frontiers, this diverse collection delivers fresh insight into human–computer interaction and user-experience theory, cognitive ecology, and critical approaches such as historical phenomenology. This volume also highlights the application of media and interface design theory to questions related to the medium of the play and its crucial interface with the body and mind.

chapter |11 pages

Introduction

part I|59 pages

Media and the embodied mind

chapter 1|14 pages

Reading Shakespeare

Interface and Cognitive Load

chapter 3|14 pages

All the Game Is a Stage

The Controller and Interface in Shakespearean Videogames

chapter 4|14 pages

Voice as interface

part II|58 pages

Apparent designs and hidden grounds

chapter 5|16 pages

Shakespearean Interfaces and Worldmaking

Buried Narratives, Hidden Grounds, and the Culture of Adaptive Practice

chapter 6|14 pages

What are interfaces for, really?

part III|53 pages

Surfaces and depths

part IV|49 pages

Display, navigation, and functionality

chapter 12|14 pages

“Into a Thousand Parts Divide”

The Pursuit of Precision in Shakespeare's Interfaces

chapter 13|17 pages

Does Jonson Break the Data Model?

Interrelated Data Models for Early Modern English Drama

part V|48 pages

User experience

part VI|33 pages

Staging the interface

chapter 18|12 pages

Access Points

Stage, Space, and/as Interface in the Early Modern Playhouses

chapter 19|13 pages

The Heuristics of Interface

Shakespeare's Cymbeline

part VII|48 pages

Interfacing with performance

chapter 21|13 pages

Shakespeare's walking story

Site-specific theater in a Covid world

chapter 23|8 pages

Front to Front

Enactment as Interface

chapter 24|12 pages

Zoom Shakespeare