First published in 1987. Passionately praised and equally passionately criticised by contemporary and later writers, the figure of Milton inherited by the twentieth century is by no means unified, despite the appearance of monumental unity his work sometimes acquires in the classroom and in academic criticism.

This collection of essays gathers together disparate and often conflicting representations of Milton as author and cultural figure. Critics familiar with the traditions of Milton scholarship and with debates in literary theory reconstruct Milton from evidence provided by his own prose and poetry, by his contemporaries (including some little-known women writers), by Romantics such as Blake and Wordsworth, and, finally, by a tradition of Afro-American writing that reflects Milton's influence in ways previously unexamined by critics. The process of reconstruction can also be seen as a process of "re-membering." The volume draws inspiration from, but also interrogates, the figure used in Areopagita to describe the quest for truth. Likening Truth to the dismembered body of Osiris, Milton urges Truth's friends to seek up and down, gathering "limb by limb" the body scattered through time and space.

Re-membering Milton includes work by established critics from both sides of the Atlantic. Together these contributors place Milton and different Milton traditions firmly within the arenas of modem critical debate. As a result, the collection will be of interest to a wide range of readers: scholars concerned with Milton and Renaissance literature and history; advanced undergraduates and graduate students; researchers in women’s studies; and all readers generally concerned with trends in literary and cultural theory.

part I|1 pages

The author function

chapter 1|22 pages

The Great Instauration: imaginary narratives in Milton’s “Nativity Ode”

Edited ByRichard Halpern

chapter 2|18 pages

Two masques of Ceres and Proserpine: Comus and The Tempest

ByMary Loeffelholz

chapter 3|31 pages

Milton and sexuality: a symptomatic reading of Comus

ByChristopher Kendrick

part II|1 pages

Texts in their contemporary contexts

part III|1 pages

The written word

chapter 8|18 pages

Milton’s graphic poetics

ByBradford Richard

chapter 10|23 pages

The blotted book

ByMarks Herbert

part IV|1 pages


chapter 12|21 pages

Blake’s Milton: on membership in the Church Paul

ByDavid Riede

chapter 13|23 pages

Milton and Afro-American literature

ByCarolivia Herron

chapter 14|17 pages

Love between Milton and Wordsworth

ByRobin Jarvis

chapter 15|24 pages

Satan and the Romantic Satan: a notebook

ByKenneth Gross

chapter 16|9 pages

The god that failed

ByTerry Eagleton