ABSTRACT
This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia.
Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists.
This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.
TABLE OF CONTENTS
part Part 1|102 pages
Framing the Arts
part |100 pages
Introduction
chapter 4|14 pages
‘Craftsperson’, ‘Artist’, ‘Designer’
part Part 2|92 pages
Governance, Institutions, and the Social
part |90 pages
Introduction
chapter 9|15 pages
Experiments with Arts Institutions
chapter 10|12 pages
Art Education and the Maker Movement
chapter 13|12 pages
Gaming the Data
part Part 3|60 pages
Indigenous Art
part |58 pages
Introduction
part Part 4|48 pages
Artists’ Voices
part |46 pages
Introduction