ABSTRACT

This book examines the various film festivals where Korean cinema plays a significant role, both inside and outside of Korea, focusing on their history, structure and function, and analysis of successful festival films.

Using Korean film festivals and Korean cinema at international film festivals as its primary lens, this interdisciplinary volume explores the shifting relationships between the multi-media genre of film and the fast-growing changing world of film festival cultures. It examines the changing aesthetics of Korean film in a transcultural context and historical (dis)continuity from a variety of angles from film and media studies, literary and cultural studies, Korean studies, Japanese studies, and also from film festival practice. Moreover, through comprehensive examinations of both domestic and international film festivals from the perspectives of production, distribution and marketing it highlights the reception of Korean cinema outside of Korea in an increasingly globalised industry.

Featuring the contributions of expert scholars of international film and Korean cinema, in addition to interview material with a practicing film professional, this book will be of huge interest to students and scholars of Korean and Asian film and media studies, as well as those interested in the impact of film festivals more generally.

chapter 1|12 pages

Introduction

Korean Film and Festivals

part I|65 pages

Why Film Festivals Matter?

chapter 2|26 pages

From Festival Films to Film Festivals

Korean Cinema at European Film Festivals

chapter 4|18 pages

When South Goes East

Latin American Films at Korean Festivals

part II|58 pages

Korean Film Festivals and Cultural Policy

chapter 5|17 pages

Beyond the International Film Festival

Contact Zones for the Agonistics and Solidarity

chapter 7|12 pages

Function of Festival as a Social Drama

Redline Photo and Film Festival (2017)

part III|57 pages

K-Films at International Film Festivals outside Korea

chapter 8|18 pages

Transnationalism beyond Orientalism

Characteristics, National Images, and Influences

chapter 9|18 pages

Park Chan-wook beyond Globalization

Universality at the Limits of the Film Festival

chapter 10|19 pages

Celebrating the Rival

Korean Films and the Osaka Asian Film Festival

part IV|24 pages

Transcultural Practices and Networking

chapter 11|22 pages

Film Festivals and the South Korean Film Industry

Kim Hong-joon in Interview with Hyunseon Lee