ABSTRACT

Lives in Music analyses interwoven patterns of mobility, change, and power in music and dance practices.

It challenges some commonly accepted conceptual tools that are ubiquitous in anthropology today, including cultural hybridity, transnational networks, and globalization. Based on seven “itineraries” that are the result of extensive ethnographic long-term field research efforts, the processes of geographic and social mobility, transformation, and power relative to music and dance practices are explored in different parts of the world. Seven writers provide life stories constructed through ethnographic techniques and life histories and supported by a deep knowledge of local customs.

chapter |11 pages

Introduction

BySara Le Menestrel, Christophe Apprill, Kali Argyriadis, Julien Mallet, Nicolas Puig, Guillaume Samson, Gabriel Segré

part I|181 pages

Seven singular itineraries

chapter 1|27 pages

Olivier Araste

Ancestors, memory, and a career as a maloya musician 1
ByGuillaume Samson

chapter 2|25 pages

From Tulear to France

Damily - a tsapiky musician from Madagascar
ByJulien Mallet

chapter 3|27 pages

Lori, Linda, and Andrea

The journeys of three French Louisiana music transplants
BySara Le Menestrel

chapter 4|25 pages

The sense of belonging - or not - to a transnational network

Performers and promoters of Afro-Cuban music and dance in Veracruz, Mexico
ByKali Argyriadis

chapter 5|23 pages

Ahmad Wahdan

Maestro among the Frenzied streets of Cairo 1
ByNicolas Puig

chapter 6|25 pages

From milonguero to “professor”

Inventing a trade
ByChristophe Apprill

chapter 7|27 pages

Julien

A bass-player hits the road
ByGabriel Segré

part II|38 pages

From singulars to plural

chapter |7 pages

Conclusion

BySara Le Menestrel, Christophe Apprill, Kali Argyriadis, Julien Mallet, Nicolas Puig, Guillaume Samson, Gabriel Segré