The church of San Carlo alle Quattro Fontane, also called San Carlino, is an architectural artefact that continues to attract numerous hypotheses and geometric analyses attempting to explain its form and meaning. Numerous investigations have attempted to reveal its underlying geometrical principles, without, however, reaching a consensus. Finding San Carlino presents an edited collection of perspectives on Borromini’s famous Baroque church from a range of established and emerging scholars in architectural history and theory, including Werner Oechslin, Karsten Harries, Michael Hill and Lauren Jacobi amongst others.

This book offers the reader different means of engaging with, enjoying and articulating San Carlino’s complexity, non-consensus and ambiguity. It is precisely such a unique disposition that motivates this book to explore multiple modes of architectural enquiry and delve into a series of theoretical and historiographical questions such as: why was Borromini not able to post-rationalize his architecture with his drawings? What is San Carlino’s exemplary value, and why does it continually engender exegetical and hermeneutic desire? What is the role of geometry in architecture, in history and today?

Written for researchers, scholars and postgraduate students in architectural history and theory, the book uses San Carlino as an enigmatic centering point for a set of significant contemporary voices to explore new modes of confrontation and comparison.

chapter |7 pages


After San Carlino
ByAdil Mansure, Skender Luarasi

chapter 1|17 pages

On Borromini’s drawings and “practical geometry”

Voleva dentro una cosa cavare un’altra, e nell’altra l’altra senza fi nire mai
ByWerner Oechslin

chapter 2|24 pages

Toggling through San Carlino

A speculative inquiry into the geometry and process in San Carlino and its interpretations in history
BySkender Luarasi

chapter 3|16 pages

The deep structure of San Carlino

ByJohn Hendrix

chapter 4|8 pages

Architecture, geometry, and the sacred

ByKarsten Harries

chapter 5|13 pages

Baroque constructive geometry?

Borromini’s design for the elevation at San Carlino
ByJonathan Hales

chapter 6|10 pages

From string to volume

ByKarl Daubmann, Lauren Jacobi

chapter 7|16 pages

A part of the whole

The Crucifix chapel in San Carlo alle Quattro Fontane
ByMichael Hill

chapter 8|17 pages

San Carlino as Surface

ByAdil Mansure

chapter 9|13 pages

The Xenophora Principle

Finding San Carlino … in a shell
ByNiklas Maak

chapter |6 pages


The future pasts of San Carlino
ByAdil Mansure, Skender Luarasi