ABSTRACT

The American Council of the Blind (ACB) Recipient of the 2022 Dr. Margaret Pfanstiehl Audio Description Achievement Award for Research and Development

This Handbook provides a comprehensive overview of the expanding field of audio description, the practice of rendering the visual elements of a multimodal product such as a film, painting, or live performance in the spoken mode, for the benefit principally of the blind and visually impaired community. This volume brings together scholars, researchers, practitioners and service providers, such as broadcasters from all over the world, to cover as thoroughly as possible all the theoretical and practical aspects of this discipline.

In 38 chapters, the expert authors chart how the discipline has become established both as an important professional service and as a valid academic subject, how it has evolved and how it has come to play such an important role in media accessibility. From the early history of the subject through to the challenges represented by ever-changing technology, the Handbook covers the approaches and methodologies adopted to analyse the “multimodal” text in the constant search for the optimum selection of the elements to describe.

This is the essential guide and companion for advanced students, researchers and audio description professionals within the more general spheres of translation studies and media accessibility.

chapter |9 pages

Introduction

part One|44 pages

Accessibility and blindness

chapter 1|14 pages

The question of accessibility

chapter 2|11 pages

Access services for the blind and partially sighted

A social and legal framework for the promotion of audio description

chapter 3|17 pages

A profile of audio description end-users

Linguistic needs and inclusivity

part Two|88 pages

A theoretical overview

chapter 4|21 pages

A cognitive approach to audio description

Production and reception processes

chapter 8|16 pages

“Ut pictura poesis”

The rendering of an aesthetic artistic image in form and content

part Three|120 pages

Audio description sectors

chapter 9|23 pages

Audio description for the theatre

A research-based practice

chapter 12|15 pages

Museum audio description

The role of ADLAB PRO

chapter 13|17 pages

Audio description in museums

A service provider perspective

chapter 14|14 pages

Visitor studies

Interdisciplinary methods for understanding the impact of inclusive museum audio description experiences

chapter 15|17 pages

Audio describing churches

In search of a template

part Four|65 pages

Stakeholders

chapter 16|15 pages

The audio description professional

A sociological overview and new training perspectives

chapter 17|15 pages

Audio description

A public broadcaster's core business and headache

chapter 18|17 pages

Profiling audio description service providers

A questionnaire-based snapshot

chapter 19|16 pages

Research in audio description 1

part Five|91 pages

Innovation and technology

part Six|73 pages

Practices

chapter 26|11 pages

Audio introductions

chapter 27|13 pages

Audio subtitling

chapter 28|13 pages

Audio description translation

A retrospective

chapter 29|16 pages

Audio description translation

A pilot study in Chinese/Spanish

chapter 30|18 pages

Audio description for the non-blind

part Seven|33 pages

Training

chapter 31|13 pages

University training

chapter 32|18 pages

In-house training

The course at Bayerischer Rundfunk

part Eight|105 pages

National case studies