ABSTRACT

The Body in Sound, Music and Performance brings together cutting-edge contributions from women working on and researching contemporary sound practice.

This highly interdisciplinary book features a host of international contributors and places emphasis on developments beyond the western world, including movements growing across Latin America. Within the book, the body is situated as both the site and centre for knowledge making and creative production. Chapters explore how insightful theoretical analysis, new methods, innovative practises, and sometimes within the socio-cultural conditions of racism, sexism and classicism, the body can rise above, reshape and deconstruct understood ideas about performance practices, composition, and listening/sensing.

This book will be of interest to both practitioners and researchers in the fields of sonic arts, sound design, music, acoustics and performance.

chapter |8 pages

Introduction

ByLinda O Keeffe, Isabel Nogueira

part Part I|40 pages

New Epistemologies of Sound

chapter 1|12 pages

Forces at Play

ByHeather Frasch

chapter 2|12 pages

Why should we care about the body?

On What Enactive-Ecological Musical Approaches Have to Offer
ByLauren Hayes

chapter 3|14 pages

Under mar paradoxo (paradox sea) and coastal silences 1

ByRaquel Stolf

part Part II|62 pages

Gendered Sounds, Spaces, and Places

chapter 4|14 pages

Deep situated listening among hearing heads and affective bodies

BySanne Krogh Groth

chapter 5|13 pages

The field is mined and full of “minas”

Women's music in Paraíba – Kalyne Lima and Sinta A Liga Crew
ByTânia Mello Neiva

chapter 6|14 pages

Working with Womens Work

Towards the embodied curator
ByIrene Revell

chapter 7|19 pages

Tejucupapo Women

Sound mangrove bodies and performance creation
ByLuciana Lyra

part Part III|68 pages

New Methodologies in Sound Art and Performance Practice

chapter 8|15 pages

Looking for Silence in the Body

ByIda Mara Freire

chapter 9|10 pages

OUR body in #sonicwilderness & #soundasgrowing

ByAntye Greie-Ripatti

chapter 10|15 pages

What Makes the Wolves Howl under the Moon?

Sound Poetics of Territory-Spirit-Bodies for Well-Living
ByLaila Rosa, Adriana Gabriela Santos Teixeira

chapter 11|13 pages

Dispatches

Cartographing and sharing listenings
ByLílian Campesato, Valéria Bonafé

chapter 12|13 pages

Applying Feminist Methodologies in the Sonic Arts

Listening to Brazilian Women Talk about Sound
ByLinda O Keeffe, Isabel Nogueira

part Part IV|100 pages

The Body Technology

chapter 13|15 pages

The Sensuality of Low Frequency Sound

ByCat Hope

chapter 14|18 pages

Cynosuric Bodies

BySusie Green, Margaret Schedel

chapter 15|14 pages

The Violining Body in AnthÈmes II by Pierre Boulez

ByIrine Røsnes

chapter 16|15 pages

‘Try to walk with the sound of my footsteps so that we can stay together'

Sonic presence and virtual embodiment in Janet Cardiff and Georges Bures Miller's audio and video walks
BySophie Knezic

chapter 17|22 pages

Breathing (as Listening)

An emotional bridge for telepresence
ByXimena Alarcón-Díaz

chapter 18|14 pages

Foley performance and sonic implicit interactions

How Foley artists might hold the secret for the design of sonic implicit interactions
BySandra Pauletto