Skip to main content
Taylor & Francis Group Logo
    Advanced Search

    Click here to search products using title name,author name and keywords.

    • Login
    • Hi, User  
      • Your Account
      • Logout
      Advanced Search

      Click here to search products using title name,author name and keywords.

      Breadcrumbs Section. Click here to navigate to respective pages.

      Book

      Why the Theatre
      loading

      Book

      Why the Theatre

      DOI link for Why the Theatre

      Why the Theatre book

      In Personal Essays, College Teachers, Actors, Directors, and Playwrights Tell Why the Theatre Is So Vital to Them

      Why the Theatre

      DOI link for Why the Theatre

      Why the Theatre book

      In Personal Essays, College Teachers, Actors, Directors, and Playwrights Tell Why the Theatre Is So Vital to Them
      Edited BySidney Homan
      Edition 1st Edition
      First Published 2020
      eBook Published 14 December 2020
      Pub. Location New York
      Imprint Routledge
      DOI https://doi.org/10.4324/9781003017615
      Pages 220
      eBook ISBN 9781003017615
      Subjects Arts
      Share
      Share

      Get Citation

      Homan, S. (Ed.). (2020). Why the Theatre: In Personal Essays, College Teachers, Actors, Directors, and Playwrights Tell Why the Theatre Is So Vital to Them (1st ed.). Routledge. https://doi.org/10.4324/9781003017615

      ABSTRACT

      Why the Theatre is a collection of 26 personal essays by college teachers, actors, directors, and playwrights about the magnetic pull of the theatre and its changing place in society.

      The book is divided into four parts, examining the creative role of the audience, the life of the actor, director, and playwright in performance, ways the theatre moves beyond the playhouse and into the real world, and theories and thoughts on what the theatre can do when given form onstage. Based on concrete, highly personal examples, experiences, and memories, this collection offers unique perspectives on the meaning of the theatre and the beauty of weaving the world of the play into the fabric of our lives.

      Covering a range of practices and plays, from the Greeks to Japanese Butoh theatre, from Shakespeare to modern experiments, this book is written by and for the theatre instructor and theatre appreciation student.

      TABLE OF CONTENTS

      chapter |8 pages

      Introduction

      Why?
      BySidney Homan

      part Part I|46 pages

      The Creative Role of the Audience

      chapter 1|6 pages

      Vouchsafe Me Audience

      ByNick Hutchison

      chapter 2|7 pages

      Training the Eye

      ByS. P. Cerasano

      chapter 3|8 pages

      Undeveloped Freight

      Listening Together in the Playhouse
      ByRobert Price

      chapter 4|6 pages

      A Shakespeare Professor Becomes a Playgoer

      ByAlan C. Dessen

      chapter 5|9 pages

      Acting the Storm

      Twenty Years of Tempests
      ByJune Schlueter

      chapter 6|8 pages

      From Theatre to Classroom

      Making Teaching Effective
      ByFrederick Kiefer

      part Part II|44 pages

      The Life of the Actor, Director, and Playwright in Performance

      chapter 7|5 pages

      Why the Theatre?

      The Breaking of the Fourth Wall
      ByGary Lagden

      chapter 8|7 pages

      Play, Devising, and the Creative Process

      ByBrian Rhinehart

      chapter 9|7 pages

      I Am Thrilled by an Impure Theatre

      BySidney Homan

      chapter 10|6 pages

      In the Nick

      Theatre in and of Our Times
      ByJerry Harp

      chapter 11|5 pages

      “The Play” May Not Be “The Thing”—But Something Is

      ByErica Terpening-Romeo

      chapter 12|6 pages

      Why Butoh Theatre

      Thoughts of the Actor, Questions From the Director
      ByYokko (Yoshiko Sienkiewicz), Brian Rhinehart

      chapter 13|6 pages

      Amateur Hour, or Notes From a Hack Playwright

      ByPaul Menzer

      part Part III|48 pages

      When the Theatre Moves Beyond the Stage Into the Real World

      chapter 14|5 pages

      Theatre for Health

      ByJoanne Howarth

      chapter 15|9 pages

      Why Make Theatre in the South Pacific?

      A Personal View of Theatre in Aotearoa/New Zealand
      ByDavid O’Donnell

      chapter 16|5 pages

      Empathy Is Essential

      ByKristin Kundert

      chapter 17|5 pages

      The Art of Failure

      ByKatherine McGerr

      chapter 18|8 pages

      Why Teach Theatre?

      ByGina MacKenzie

      chapter 19|14 pages

      Making Theatre Around the World, and What It Has Taught Me

      ByAvra Sidiropoulou

      part Part IV|51 pages

      Theories and Thoughts About What the Theatre Can Do When Given Form Onstage

      chapter 20|9 pages

      The Cruelty Tourist and the Emancipated Spectator

      Looking for an Essential Theatre
      ByRalf Remshardt

      chapter 21|8 pages

      Theatre and the Digital Native

      ByDonna Soto-Morettini

      chapter 22|5 pages

      Remembering Dreams

      ByFran Teague

      chapter 23|7 pages

      Theatrical Pleasure and Lynn Nottage’s Intimate Apparel

      ByJoseph Candido

      chapter 24|6 pages

      Yeats’s “Lapis Lazuli” as Theatrum Mundi

      ByDaniel T. O’Hara

      chapter 25|6 pages

      Why (Not) Theatre? Stage, Screen, and Streaming in a Pandemic

      ByPatrick Hart

      chapter 26|6 pages

      Because

      ByCary M. Mazer

      chapter |2 pages

      Epilogue

      “Yeh, Boss”
      BySidney Homan
      T&F logoTaylor & Francis Group logo
      • Policies
        • Privacy Policy
        • Terms & Conditions
        • Cookie Policy
        • Privacy Policy
        • Terms & Conditions
        • Cookie Policy
      • Journals
        • Taylor & Francis Online
        • CogentOA
        • Taylor & Francis Online
        • CogentOA
      • Corporate
        • Taylor & Francis Group
        • Taylor & Francis Group
        • Taylor & Francis Group
        • Taylor & Francis Group
      • Help & Contact
        • Students/Researchers
        • Librarians/Institutions
        • Students/Researchers
        • Librarians/Institutions
      • Connect with us

      Connect with us

      Registered in England & Wales No. 3099067
      5 Howick Place | London | SW1P 1WG © 2022 Informa UK Limited