ABSTRACT

The first edition of The Auditory Culture Reader offered an introduction to both classical and recent work on auditory culture, laying the foundations for new academic research in sound studies. Today, interest and research on sound thrives across disciplines such as music, anthropology, geography, sociology and cultural studies as well as within the new interdisciplinary sphere of sound studies itself. This second edition reflects on the changes to the field since the first edition and offers a vast amount of new content, a user-friendly organization which highlights key themes and concepts, and a methodologies section which addresses practical questions for students setting out on auditory explorations. All essays are accessible to non-experts and encompass scholarship from leading figures in the field, discussing issues relating to sound and listening from the broadest set of interdisciplinary perspectives. Inspiring students and researchers attentive to sound in their work, newly-commissioned and classical excerpts bring urban research and ethnography alive with sensory case studies that open up a world beyond the visual. This book is core reading for all courses that cover the role of sound in culture, within sound studies, anthropology, sociology, cultural studies, history, media studies and urban geography.

part I|113 pages

Sound Engagements

chapter Chapter 1|13 pages

Hearing Loss

chapter Chapter 2|15 pages

Descartes's Resonant Subject

chapter Chapter 7|10 pages

Making Sense of Race

chapter Chapter 8|9 pages

Words as Persuasive Art

part V|89 pages

Music, Technologies and Materialities

chapter Chapter 26|5 pages

Calypso Kings

chapter Chapter 29|9 pages

Remix Redux

chapter Chapter 33|3 pages

Resistance

part VI|49 pages

Economic Sounds