ABSTRACT
The Routledge Companion to Applied Performance provides an in-depth, far-reaching and provocative consideration of how scholars and artists negotiate the theoretical, historical and practical politics of applied performance, both in the academy and beyond.
These volumes offer insights from within and beyond the sphere of English-speaking scholarship, curated by regional experts in applied performance. The reader will gain an understanding of some of the dominant preoccupations of performance in specified regions, enhanced by contextual framing. From the dis(h)arming of the human body through dance in Colombia to clowning with dementia in Australia, via challenges to violent nationalism in the Balkans, transgender performance in Pakistan and resistance rap in Kashmir, the essays, interviews and scripts are eloquent testimony to the courage and hope of people who believe in the power of art to renew the human spirit.
Students, academics, practitioners, policy-makers, cultural anthropologists and activists will benefit from the opportunities to forge new networks and develop in-depth comparative research offered by this bold, global project.
TABLE OF CONTENTS
part Part I|64 pages
Brazil
chapter 5|6 pages
Every patrol car has a little of the slave ship
chapter 7|7 pages
Paraíso do Tuiuti: “I am not a slave of no master”
chapter 8|7 pages
The power of subtle learning
part Part II|76 pages
West Africa
chapter 10|11 pages
Conversation
chapter 11|11 pages
Geographies of conflict
chapter 12|17 pages
Politics of/and performance spaces in the Theatre of Social Action
chapter 13|15 pages
Applied performances in Burkina Faso
part Part III|122 pages
South Asia
chapter 22|11 pages
Storytelling through Playback Theatre
chapter 23|14 pages
Transforming trauma in post-conflict settings
part Part IV|20 pages
The Arab World
part Part V|68 pages
The United Kingdom
chapter 27|11 pages
Six Songs for Paul
chapter 28|14 pages
‘How I Learned to Stop Worrying and Love’
chapter 29|7 pages
Welcome to The Posh Club
chapter 31|8 pages
Magic Me
chapter 32|7 pages
Having dementia shouldn’t exclude you from cultural experiences
part Part VI|70 pages
South East Asia