ABSTRACT

This book investigates the power of art to enhance human development and to initiate positive social change for individuals and societies recovering from conflict.

Interventions aimed at reinforcing social justice and bringing communities together after conflict are often accused of being top-down, or failing to consider all groups and contexts within a society. The use of participatory arts can help to address these challenges by fostering community engagement, social cohesion, influencing public policy, and ultimately, advancing social justice. Arts-based methods can be particularly effective at reaching youth communities, providing voice and political agency to young people who are often not given a platform. Situated at the intersection of participatory arts, social and epistemic justice, this book brings together case studies from across the world to reflect on best practice for the use of bottom-up, participatory, co-produced, and co-designed arts processes in conflict settings.

This book provides an important guide to the role that arts can play in addressing epistemic injustice and contributing to social justice and human development. As such, it will be of interest to international development and arts practitioners, policy makers, and to students and researchers across participatory arts, youth studies, international development, social justice, and peace and conflict studies.

chapter 1|14 pages

Introduction

Participatory arts in building socially just societies in the Global South

part I|104 pages

Participatory process of arts for epistemic justice

chapter 4|17 pages

Participatory curatorship

Negotiating heritage, memory, and justice in Northern Uganda

chapter 5|25 pages

Political storytelling on Twitter

Can it address epistemic injustice against women?

chapter 6|21 pages

Re-connecting with cultural heritage

How participatory video enabled youth in Palestine to protect their cultural heritage

chapter 7|18 pages

Capturing epistemic responsibility and resistance

Challenging intercommunal conflict through photovoice

part II|104 pages

Community engagement through participatory arts

chapter 8|16 pages

Collaboration in research

Insights from a participatory art project in Zimbabwe

chapter 9|19 pages

YouthLEAD

Measuring the indirect impact of youth peacebuilding through PhotoVoice and community murals in Colombia

chapter 10|18 pages

Youth, police, and civil society organization

Participatory arts-based clinics for strengthening security and justice in Nepal

chapter 11|19 pages

Creation and communication

Reflecting on the role of arts methods to enable dialogue between young people and policy makers in Kenya, Uganda, and the DRC

chapter 12|18 pages

‘Lebanon, The Youth Roll’

Experiencing conflict as a transcultural, transnational film language

chapter 13|12 pages

Conclusion

Where to next? The potentials and liminality of participatory arts in conflict