ABSTRACT
This companion interrogates the relationship between theatre and youth from a global perspective, taking in performances and theatre made by, for, and about young people.
These different but interrelated forms of theatre are addressed through four critical themes that underpin the ways in which analysis of contemporary theatre in relation to young people can be framed: political utterances – exploring the varied ways theatre becomes a platform for political utterance as a process of dialogic thinking and critical imagining; critical positioning – examining youth theatre work that navigates the sensitive, dynamic, and complex terrains in which young people live and perform; pedagogic frames – outlining a range of contexts and programmes in which young people learn to make and understand theatre that reflects their artistic capacities and aesthetic strategies; applying performance – discussing a range of projects and companies whose work has been influential in the development of youth theatre within specific contexts.
Providing critical, research-informed, and research-based discussions on the intersection between young people, their representation, and their participation in theatre, this is a landmark text for students, scholars, and practitioners whose work and thinking involves theatre and young people.
TABLE OF CONTENTS
part Part 1|115 pages
Political Utterances
chapter 2|21 pages
Bodyliness in European Applied Theatre Projects
chapter 5|15 pages
The Manipulation of Mowgli
chapter 7|17 pages
Performing Violence, Devising Futures?
part Part 2|142 pages
Critical Positioning
chapter 9|16 pages
Arena Theatre Company
chapter 10|17 pages
'Home Grown' Productions for their Own Young People
chapter 11|11 pages
Re-Thinking "Theatre" During Social Distancing
chapter 12|17 pages
Theatre of Hope
chapter 13|17 pages
Trials and Tribulations
chapter 14|11 pages
Between Past and Future
chapter 15|18 pages
The Imagined Child Onstage
chapter 16|18 pages
Access to Theatre for Young People in India
chapter 17|13 pages
Verbatim Formula
part Part 3|145 pages
Pedagogic Frames
chapter 18|17 pages
"Writing What Matters to Me"
chapter 19|18 pages
Let Them Speak
chapter 22|16 pages
To the Syllabus and Beyond
chapter 23|20 pages
A Dialogue Across the Circle
chapter 24|14 pages
Artist- and Teacher-Supported Extra-Curricular Theatre in Secondary Schools
part Part 4|134 pages
Applying Performance