ABSTRACT

This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. Ranging from the eleventh to seventeenth centuries, and across countries and genres, the chapters offer innovative insights into the historical relationship between music and its presentation in a wide variety of media.

The lens of media enables contributors to expand music history beyond notated music manuscripts and instruments to include images, furniture, luxury items, and other objects, and to address uniquely visual and material aspects of music sources in books and literature. Drawing together an international group of contributors, the volume pays close attention to the medial and material dimensions of musical sources, considering them as multifaceted objects that not only contain but also determine the nature of the music they transmit.

Transforming our understanding of musical media, this volume will be of interest to scholars of musicology, art history, and medieval and early modern cultures.

part I|64 pages

The Materiality of Song

chapter 3|20 pages

Imaginary Chansonniers

Song, Desire, and Materiality in Vitsentzos Kornaros's Erotokritos

part II|94 pages

Songs, Books, Society

chapter 4|33 pages

Verbal and Visual Paratexts

Strategies in Shaping Music Books in the Trecento Florentine Manuscript Tradition 1

chapter 5|23 pages

Formes of Intimacy

Miniaturisation and Sociability in the Fifteenth-Century Chansonnier

chapter 6|18 pages

The Materiality of Musical Knowledge in Sixteenth-Century Textbooks

Appropriation, Personalisation, and Self-Representation

part III|64 pages

Picturing Sound, Hearing Images

part IV|70 pages

Musical Objects

chapter 11|25 pages

Music, Heraldry, and Material Culture in the Late Middle Ages

Ars Nova Songs for Louis I of Anjou and Bertrand du Guesclin

chapter 12|24 pages

Negotiating Identity and Status

Musicalia in the Relational Strategies of Duke Guidubaldo II della Rovere

chapter 13|19 pages

Sacred Music Books Desacralised

Material Perspectives on Musical Fragments