ABSTRACT
Through a multidisciplinary collection of case studies, this book explores the effects of the digital age on medieval and early modern studies.
Divided into five parts, the book examines how people, medieval and modern, engage with medieval media and technology through an exploration of the theory underpinning audience interactions with historical materials in the past and the real-world engagement of a twenty-first century audience with medieval and early modern studies through the multimodal lens of a vast digital landscape. Each case study reveals the diversity of medieval media and technology and challenges readers to consider new types of literacy competencies as scholarly, rigorous methods of engaging in pre-modern investigations of materiality. Essays in the first section engage in the examination of medieval media, mediation, and technology from a theoretical framework, while the second section explores how digitization, smart technologies, digital mapping, and the internet have shaped medieval and early modern studies today.
The book will be of interest to students in undergraduate or graduate intermediate or advanced courses as well as scholars, in medieval studies, art history, architectural history, medieval history, literary history, and religious history.
TABLE OF CONTENTS
part Part I|35 pages
Text or Tool? - Beyond the Narrative
chapter 1|19 pages
From Audits to Confessionals
chapter 2|14 pages
As Nimble as the Pen of a Scribe
part Part II|31 pages
Interpretive Technologies â Viewing Culture and Society
chapter 3|14 pages
Painted, Printed, and Digitized
chapter 4|15 pages
Maps, Views, and Chorographies
part Part III|35 pages
Proximity â The Earthly and Divine Spheres
chapter 5|15 pages
Ars combinatoria
part Part IV|27 pages
Teaching âToolsâ and Accessibility
chapter 8|14 pages
The Virtual Renaissance
part Part V|11 pages
Digital Viewing and Reflections