ABSTRACT

The studies in this volume all deal with images and texts that relate to the veneration of the saints in Byzantium after the 9th century. Some papers are devoted to the church calendar and the annual commemorations of hundreds of saints through liturgical poetry and sequences of isolated images in fresco, icon painting and illuminated manuscripts. Others are concerned with the longer and rarer, narrative cycles devoted to the life of a single saint, cycles found mainly in fresco and on the so-called vita icons that first appear in the East in the late 12th century. Additional studies deal with the developing role of icons in liturgical ceremonies, and with images of a saint being approached by a supplicant or patron. A final section is devoted to places made holy by the saints, and to their holy relics.

chapter II

The Imperial Menologia and the "Menologion" of Basil II

ByNancy P. Ševčenko

chapter III

Three Saints at Hosios Loukas

ByNancy P. Ševčenko

chapter IV

Marking Holy Time: The Byzantine Calendar Icons*

ByNancy P. Ševčenko

chapter VI

Vita Icons and "Decorated" Icons of the Komnenian Period

ByNancy P. Ševčenko

chapter VII

The Vita Icon and the Painter as Hagiographer *

ByCyril Mango

chapter VIII

The Tomb of Isaak Komnenos at Pherrai

ByNancy P. Ševčenko

chapter XI

Icons in the Liturgy*

ByNancy P. Ševčenko

chapter XII

"Servants of the Holy Icon"

ByNancy P. Ševčenko

chapter XIII

The Five Hymnographers at Nerezi*

ByNancy P. Ševčenko

chapter XIV

The Hermit as Stranger in the Desert

ByNancy P. Ševčenko

chapter XV

The Cave of the Apocalypse

ByNancy P. Ševčenko

chapter XVI

The Limburg Staurothek and its Relics

ByNancy P. Ševčenko

chapter XVII

The Monastery of Mount Sinai and the Cult of St Catherine*

ByNancy P. Ševčenko