ABSTRACT

This is the first book to examine the connections between diaspora - the movement, whether forced or voluntary, of a nation or group of people from one homeland to another - and its representations in visual culture. Two foundational articles by Stuart Hall and the painter R.B. Kitaj provide points of departure for an exploration of the meanings of diaspora for cultural identity and artistic practice.


A distinguished group of contributors, who include Alan Sinfield, Irit Rogoff, and Eunice Lipton, address the rich complexity of diasporic cultures and art, but with a focus on the visual culture of the Jewish and African diasporas. Individual articles address the Jewish diaspora and visual culture from the 19th century to the present, and work by African American and Afro-Brazilian artists.

chapter |18 pages

Introduction

The multiple viewpoint: diasporic visual cultures

part I|24 pages

Points of Departure

chapter 1|13 pages

Cultural Identity and Diaspora

chapter 2|9 pages

First Diasporist Manifesto

part II|49 pages

Diasporic Identity in the Nineteenth Century

chapter 3|12 pages

Mary Edmonia Lewis's Minnehaha

Gender, Race, and the “Indian Maid”

chapter 4|19 pages

Pissarro's Passage

The Sensation of Caribbean Jewishness in Diaspora

chapter 5|16 pages

The Body of Alfred Dreyfus

A Site for France's Displaced Anxieties of Masculinity, Homosexuality and Power 1

part III|97 pages

Engendering Diaspora

chapter 6|20 pages

Diaspora And Hybridity

Queer Identities and the Ethnicity Model

chapter 8|20 pages

Black Skin, White Kins

Metamodern Masks, Multiple Mimesis

chapter 9|16 pages

Daughters of Sunshine

Diasporic impulses and gendered identities

chapter 10|11 pages

The Hill Behind the House

An Ashkenazi Jew and Art History

part IV|71 pages

Poland-Brazil

chapter 11|14 pages

Imaging The Shtetl

Diaspora Culture, Photography and Eastern European Jews

chapter 12|17 pages

Alice Halicka's Self-Effacement

Constructing an Artistic Identity in Interwar France

chapter 13|17 pages

Hélio Oiticica' Parangolés

Nomadic experience in endless motion

chapter 14|13 pages

Memory and Agency

Bantu and Yoruba arts in Brazilian culture

chapter 15|8 pages

Practicing Modernism

“… For the master's tools will never dismantle the master's house …” 1