ABSTRACT

From re-runs of 'TV classics' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present.
Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to Knigh t Rider, contributors explore the key shows which defined the genre, addressing issues of audiences and consumption, gender and sexuality, fashion and popular culture. They examine the institutional and cultural factors influencing the action series, and relate shifts in the genre to other forms of popular culture including film, pop music, fashion and popular literature.
Chapters include:
* Of leather suits and kinky boots: The Avengers, style and popular culture
* 'Who loves ya, baby?': Kojak, action and the great society
*'A lone crusader in a dangerous world': heroics of science and technology in Knight Rider
* Angels in chains? feminism, femininity and consumer culture in Charlie's Angels
* 'Who's the cat that won't cop out?' Black masculinity in American action shows of the sixties and seventies

chapter |9 pages

Introduction

Getting into gear with the action TV series

part I|70 pages

Situating the Action TV Series

chapter 1|19 pages

The Business of Action

Television history and the development of the action TV series

chapter 2|21 pages

‘So You're the Famous Simon Templar'

The Saint, masculinity and consumption in the early 1960s

chapter 3|16 pages

‘Who Loves Ya, Baby?'

Kojak, action and the great society

chapter 4|12 pages

‘A Lone Crusader in the Dangerous World'

Heroics of science and technology in Knight Rider

part II|61 pages

Representation and Cultural Politics in the Action TV Series

chapter 5|17 pages

Angels in Chains?

Feminism, femininity and consumer culture in Charlie's Angels

chapter 6|15 pages

‘Who's the Cat that Won't Cop Out?’

Black masculinity in American action series of the sixties and seventies

chapter 7|12 pages

Kung Fu

Re-orienting the television Western

chapter 8|15 pages

‘Drop Everything … Including your Pants!'

The Professionals and ‘hard' action TV

part III|45 pages

Audiences Reading and Re-Reading the Action TV Series

chapter |14 pages

The Games we Play(ed)

Tv Westerns, memory and ‘masculinity'

chapter 10|10 pages

The Persuaders!

A girl's best friends

chapter 11|19 pages

King and Queen

Interpreting sexual identity in Jason King

part IV|62 pages

The Cultural Circulation of the Action TV Series

chapter 12|14 pages

TV Gets Jazzed

The evolution of action TV theme music

chapter 13|16 pages

The Comics Connection

Low culture meets even lower culture

chapter 14|15 pages

Of Leather Suits and Kinky Boots

The Avengers, style and popular culture

chapter 15|15 pages

The Sixties in the Nineties

Pastiche or hyperconsciousness?