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Movie Blockbusters
DOI link for Movie Blockbusters
Movie Blockbusters book
Movie Blockbusters
DOI link for Movie Blockbusters
Movie Blockbusters book
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ABSTRACT
Big-budget, spectacular films designed to appeal to a mass audience: is this what - or all - blockbusters are? Movie Blockbusters brings together writings from key film scholars, including Douglas Gomery, Peter Kramer, Jon Lewis and Steve Neale, to address the work of notable blockbuster auteurs such as Steven Spielberg and James Cameron, discuss key movies such as Star Wars and Titanic, and consider the context in which blockbusters are produced and consumed, including what the rise of the blockbuster says about the Hollywood film industry, how blockbusters are marketed and exhibited, and who goes to see them. The book also considers the movie scene outside Hollywood, discussing blockbusters made in Bollywood, China, South Korea, New Zealand and Argentina
TABLE OF CONTENTS
part |2 pages
PART I Industry matters
chapter 2|11 pages
Following the money in America’s sunniest company town: some notes on the political economy of the Hollywood blockbuster
chapter 4|15 pages
The role of the auteur in the age of the blockbuster: Steven Spielberg and DreamWorks
part |2 pages
PART II Exploring spectacle
chapter 5|13 pages
Talking about a revolution: the blockbuster as industrial advertisement
chapter 7|13 pages
“Want to take a ride?”: reflections on the blockbuster experience in Contact (1997)
part |2 pages
PART III Establishing cultural status
chapter 11|12 pages
Star Wars in fandom, film theory, and the museum: the cultural status of the cult blockbuster
chapter 12|12 pages
The best place to see a film: the blockbuster, the multiplex, and the contexts of consumption
chapter 13|13 pages
Neither one thing nor the other: blockbusters at film festivals
part |2 pages
PART IV The blockbuster in the international frame