This collection of essays by biblical scholars is the first book-length treatment of the 2014 film Noah, directed by Darren Aronofsky. The film has proved to be of great interest to scholars working on the interface between the Bible and popular culture, not only because it was heralded as the first of a new generation of biblical blockbusters, but also because of its bold, provocative, and yet unusually nuanced approach to the interpretation and use of the Noah tradition, in both its biblical and extra-biblical forms. The book’s chapters, written by both well-established and up-and-coming scholars, engage with and analyze a broad range of issues raised by the film, including: its employment and interpretation of the ancient Noah traditions; its engagement with contemporary environmental themes and representation of non-human animals; its place within the history of cinematic depictions of the flood, status as an ‘epic’, and associated relationship to spectacle; the theological implications of its representation of a hidden and silent Creator and responses to perceived revelation; the controversies surrounding its reception among religious audiences, especially in the Muslim world; and the nature and implications of its convoluted racial and gender politics. Noah as Antihero will be of considerable interest to scholars conducting research in the areas of religion and film, contemporary hermeneutics, reception history, religion and popular culture, feminist criticism, and ecological ethics.

chapter |7 pages


Russell Crowe’s Knees and Darren Aronofsky’s Vision

chapter 1|26 pages

An Ongoing Tradition

Aronofsky’s Noah as 21st-Century Rewritten Scripture

chapter 2|15 pages

Rock Giants and the Magic Stone of Torah

Allusions to Esoteric and Extra-Biblical Literature in Noah

chapter 3|20 pages

Retelling the Biblical Story of Noah

Jewish and Christian Perspectives 1

chapter 4|15 pages

Moving Beyond ‘Fatwā This!’

On the Possibility of Human Redemption in Noah, The Ark, and Islamic Tradition

chapter 5|18 pages

Seeing Is Believing

Aronofsky’s Noah and Cinematic Spectacle

chapter 6|15 pages

Commercial Configurations of Scriptural Temporality

Noah as a Blockbuster

chapter 7|17 pages


Aronofsky’s Nuancing of the Biblical Epic

chapter 9|16 pages

“How—How Is This Just?!”

How Aronofksy and Handel Handle Noah’s Curse

chapter 11|16 pages

‘It’s Not the End of the World’

Aronofsky’s Noah and IMAXed Apocalyptic Animals

chapter 12|22 pages

The Innocent, the Image, and the White Imagination

Noah as Ecological Mythology