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Monographic Exhibitions and the History of Art
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Monographic Exhibitions and the History of Art book
Monographic Exhibitions and the History of Art
DOI link for Monographic Exhibitions and the History of Art
Monographic Exhibitions and the History of Art book
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ABSTRACT
This edited collection traces the impact of monographic exhibitions on the discipline of art history from the first examples in the late eighteenth century through the present. Roughly falling into three genres (retrospectives of living artists, retrospectives of recently deceased artists, and monographic exhibitions of Old Masters), specialists examine examples of each genre within their social, cultural, political, and economic contexts. Exhbitions covered include Nathaniel Hone’s 1775 exhibition, the Holbein Exhibition of 1871, the Courbet retrospective of 1882, Titian's exhibition in Venice, Poussin's Louvre retrospective of 1960, and El Greco's anniversaty exhibitions of 2014.
TABLE OF CONTENTS
chapter |9 pages
Introductory
part I|55 pages
Living artists’ retrospectives
chapter 1|13 pages
Nathaniel Hone’s 1775 exhibition
chapter 2|12 pages
The Degas and Cassatt 1915 exhibition in support of women’s suffrage
part II|59 pages
Posthumous retrospectives
chapter 5|14 pages
The first posthumous retrospective in France
chapter 7|11 pages
The Courbet retrospective of 1882. Harbinger of the artist’s first major monography and catalogue raisonné
chapter 8|12 pages
The critical reception of Marcello Tommasi’s oeuvre and the Tommasi family’s artistic legacy
part III|68 pages
Old Master monographic exhibitions from before World War II
chapter 9|14 pages
The Holbein exhibition of 1871 – an iconic turning point for art history
chapter 10|10 pages
‘This is the answer to those who tell us that Reynolds was a snob’
chapter 12|11 pages
The twelve days of Bartolomeo della Gatta (Arezzo, 1–12 October 1930). A regional exhibition of an Old Master during Fascism
part IV|46 pages
Old Master monographic exhibitions after World War II
chapter 14|16 pages
Poussin in perspective
chapter 15|11 pages
Rembrandt and the polemical monographic exhibition
chapter 16|17 pages
Exploring Michelangelo through exhibitions. Closer to the master, closer to the scholar, closer to the public
part V|51 pages
Monographic exhibitions and the twenty-first century