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      Ethnomusicology
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      Book

      Ethnomusicology

      DOI link for Ethnomusicology

      Ethnomusicology book

      A Contemporary Reader

      Ethnomusicology

      DOI link for Ethnomusicology

      Ethnomusicology book

      A Contemporary Reader
      Edited ByJennifer C. Post
      Edition 1st Edition
      First Published 2017
      eBook Published 29 September 2017
      Pub. Location New York
      Imprint Routledge
      DOI https://doi.org/10.4324/9781315439167
      Pages 350
      eBook ISBN 9781315439167
      Subjects Arts
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      Post, J.C. (Ed.). (2017). Ethnomusicology: A Contemporary Reader (1st ed.). Routledge. https://doi.org/10.4324/9781315439167

      ABSTRACT

      Ethnomusicology: A Contemporary Reader, Volume II provides an overview of developments in the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. Nineteen essays, written by an international array of scholars, highlight the relationship between current issues in the discipline and ethnomusicologists’ engagement with issues such as advocacy, poverty and social participation, maintaining intangible cultural heritages, and ecological concerns. It provides a forum for rethinking the discipline’s identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume I published in 2005.

      The collection of essays is organized into six sections:

      • Property and Rights
      • Applied Practice
      • Knowledge and Agency
      • Community and Social Space
      • Embodiment and Cognition
      • Curating Sound

      Volume II serves as a basic introduction to the best writing in the field for students, professors, and music professionals, perfect for both introductory and upper level courses in world music. Together with the first volume, Ethnomusicology: A Contemporary Reader, Volume II provides a comprehensive survey of current research directions.

      TABLE OF CONTENTS

      chapter |14 pages

      Introduction

      Redesigning and Redefining Ethnomusicology
      ByJennifer C. Post

      part I|50 pages

      Intellectual Property and Cultural Rights

      chapter 1|18 pages

      Performing Protocol

      Indigenous Traditional Knowledge as/and Intellectual Property
      ByBeverley Diamond, Aaron Corn, Frode Fjellheim, Cheryl L’Hirondelle, Moana Maniapoto, Allan Marett, Taqralik Partridge, John Carlos Perea, Ulla Pirttijärvi, Per Niila Stålka

      chapter 2|18 pages

      “Justice with My Own Hands”

      The Serious Play of Piracy in Bolivian Indigenous Music Videos
      ByHenry Stobart

      chapter 3|12 pages

      Modernist Reform, Virtuosity, and Uyghur Instrumental Music in Chinese Central Asia

      ByChuen-Fung Wong

      part II|59 pages

      Applied Practice

      chapter 4|13 pages

      From Neutrality to Praxis

      The Shifting Politics of Ethnomusicology in the Contemporary World
      BySamuel Araújo

      chapter 5|16 pages

      The Ethnomusicologist at the Rock Face

      Reflections on Working at the Nexus of Music and Mining
      ByKirsty Gillespie

      chapter 6|14 pages

      Social Shifts and Viable Musical Futures

      The Case of Cambodian Smot 1
      ByCatherine Grant

      chapter 7|13 pages

      Medical Ethnomusicology and Psychological Flexibility in Healing, Health, and Wellness

      ByBenjamin D. Koen

      part III|70 pages

      Knowledge and Agency

      chapter 8|13 pages

      Birdsong and a Song about a Bird

      Popular Music and the Mediation of Traditional Ecological Knowledge in Northeastern Brazil
      ByMichael B. Silvers

      chapter 9|20 pages

      Music, Environment, and Place in Kam Big Song 1

      ByCatherine Ingram

      chapter 10|19 pages

      Ecological Knowledge, Collaborative Management, and Musical Production in Western Mongolia

      ByJennifer C. Post

      chapter 11|14 pages

      Music and Non-Human Agency

      ByBernd Brabec de Mori

      part IV|51 pages

      Community and Social Space

      chapter 12|14 pages

      Rethinking the Urban Community

      (Re)Mapping Musical Processes and Places
      ByKay Kaufman Shelemay

      chapter 13|19 pages

      Mixed Modes and Performance Codes of Political Demonstrations and Carnival in Haiti

      ByRebecca Dirksen

      chapter 14|15 pages

      Soundscapes of Pilgrimage

      European and American Christians in Jerusalem’s Old City
      ByAbigail Wood

      part V|59 pages

      Embodiment and Cognition

      chapter 15|18 pages

      Time, Gesture, and Attention in a Khyāl Performance

      ByMartin Clayton

      chapter 16|22 pages

      Speaking with the Body in Nigerian and Cuban Orisha Music

      Musical Movements in Song, Dance, and Trance
      ByAmanda Villepastour

      chapter 17|16 pages

      Gaming the System

      Gender Performance in Dance Central
      ByKiri Miller

      part VI|24 pages

      Curating Sound

      chapter 18|11 pages

      Preserving the Past, Activating the Future

      Collaborative Archiving in Ethnomusicology
      ByJohn Vallier

      chapter 19|10 pages

      “Curating Sound Is Impossible” 1

      Views from the Streets, Galleries, and Rainforests
      ByNoel Lobley
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