ABSTRACT

The use of museum collections as a path to learning for university students is fast becoming a new pedagogy for higher education. Despite a strong tradition of using lectures as a way of delivering the curriculum, the positive benefits of ’active’ and ’experiential learning’ are being recognised in universities at both a strategic level and in daily teaching practice. As museum artefacts, specimens and art works are used to evoke, provoke, and challenge students’ engagement with their subject, so transformational learning can take place. This unique book presents the first comprehensive exploration of ’object-based learning’ as a pedagogy for higher education in a broad context. An international group of authors offer a spectrum of approaches at work in higher education today. They explore contemporary principles and practice of object-based learning in higher education, demonstrating the value of using collections in this context and considering the relationship between academic discipline and object-based learning as a teaching strategy.

part I|75 pages

The Pedagogical Value of Object-Based Learning

chapter 2|14 pages

The Power of Concrete Experience

Museum Collections, Touch and Meaning Making in Art and Design Pedagogy

chapter 3|18 pages

Talking about Things

Internationalisation of the Curriculum through Object-Based Learning

chapter 4|20 pages

Engaging the Past

Haptics and Object-Based Learning in Multiple Dimensions

part II|61 pages

Object-Based Learning Environments and Contexts

part III|67 pages

Object-Based Learning, Museum Education and Creative Practice

chapter 9|14 pages

From Cultural to Socio-economic Capital

Lessons from a Postgraduate Course in ‘Standards for Museum Education’

chapter 11|18 pages

Immersive and Somatic Learning

A Summary of Creative-Based Practice as a Method for Higher Education