Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.

chapter 1|17 pages

Satie's Personal and Musical Logic

ByRobert Orledge

chapter 2|30 pages

Satie and the Meaning of the Comic

ByAnn-Marie Hanlon

chapter 3|18 pages

Satie's Rose-Croix Piano Works

ByGrace Wai Kwan Gates

chapter 4|18 pages

Satie as Poet, Playwright and Composer

ByCaroline Potter

chapter 5|29 pages

‘The Only Musician with Eyes': Erik Satie and Visual Art

BySimon Shaw-Miller

chapter 7|24 pages

Parade: ballet réaliste

ByChristine Reynolds

chapter 8|22 pages

Collaborative Works in Satie's Last Years

ByPietro Dossena

chapter 10|14 pages

After Satie: Howard Skempton in Conversation with Caroline Potter

ByCaroline Potter