ABSTRACT

Music and Transcendence explores the ways in which music relates to transcendence by bringing together the disciplines of musicology, philosophy and theology, thereby uncovering congruencies between them that have often been obscured. Music has the capacity to take one outside of oneself and place one in relation to that which is ’other’. This ’other’ can be conceived in an ’absolute’ sense, insofar as music can be thought to place the self in relation to a divine ’other’ beyond the human frame of existence. However, the ’other’ can equally well be conceived in an ’immanent’ (or secular) sense, as music is a human activity that relates to other cultural practices. Music here places the self in relation to other people and to the world more generally, shaping how the world is understood, without any reference to a God or gods. The book examines how music has not only played a significant role in many philosophical and theological accounts of the nature of existence and the self, but also provides a valuable resource for the creation of meaning on a day-to-day basis.

chapter |10 pages

Introduction

ByFérdia J. Stone-Davis

part |2 pages

Part I: Music and Absolute Transcendence

chapter 1|10 pages

Music and the Beyond in the Later Middle Ages

ByChristopher Page

chapter 4|16 pages

Creatio ex improvisatione: Chrétien on the Call

ByBruce Ellis Benson

chapter 5|10 pages

Unwritten Theology: Notes Towards a Natural Theology of Music

ByRussell Re Manning

chapter 6|10 pages

Music and the Transcendental

ByRoger Scruton

chapter 8|6 pages

Negotiating Musical Transcendence

ByJeremy S. Begbie

part |2 pages

Part II: Music and Immanent Transcendence

chapter 14|18 pages

Immanence, Transcendence and Political Song

ByChristopher Norris

chapter 15|12 pages

Music, Transcendence, and Philosophy

ByAndrew Bowie