ABSTRACT

Fifty years before his death in 2013, Nelson Mandela stood before Justice de Wet in Pretoria's Palace of Justice and delivered one of the most spectacular and liberating statements ever made from a dock. In what came to be regarded as "the trial that changed South Africa", Mandela summed up the spirit of the liberation struggle and the moral basis for the post-Apartheid society. In this blistering critique of Apartheid and its perversion of justice, Mandela transforms the law into a sword and shield. He invokes it while undermining it, uses it while subverting it, and claims it while defeating it. Wise and strategic, Mandela skilfully reimagines the courtroom as a site of visibility and hearing, opening up a political space within the legal. This volume returns to the Rivonia courtroom to engage with Mandela's masterful performance of resistance and the dramatic core of that transformative event. Cutting across a wide-range of critical theories and discourses, contributors reflect on the personal, spatial, temporal, performative, and literary dimensions of that constitutive event. By redefining the spaces, institutions and discourses of law, contributors present a fresh perspective that re-sets the margins of what can be thought and said in the courtroom.

chapter |20 pages

The Courtroom as a Space of Resistance

Reflections on the Legacy of the Rivonia Trial

chapter |26 pages

When Time Gives

Reflections on Two Rivonia Renegades

chapter |18 pages

Nelson Mandela and Civic Myths

A Law and Literature Approach to Rivonia

chapter |42 pages

Justice in Transition

South Africa Political Trials, 1956–1964

chapter |26 pages

The Rivonia Trial

Domination, Resistance and Transformation

chapter |22 pages

‘The Road to Freedom Passes Through Gaol'

The Treason Trial and Rivonia Trial as Political Trials

chapter |18 pages

‘I am the first accused'

Seven Reflections (and a Postscript) on Derrida's Mandela

chapter |24 pages

‘Black man in the white man's court'

Performative Genealogies in the Courtroom

chapter |28 pages

Reading Choreographies of Black Resistance

Courtroom Performance as/and Critique

chapter |20 pages

Lawscapes

The Rivonia Trial and Pretoria

chapter |22 pages

Literary Autonomy on Trial

The 1974 Cape Trial of André Brink's Kennis van die Aand 1

chapter |18 pages

“The Unkindest Cut of All”

Coloniality, Performance and Gender in the Courtroom and Beyond 1

chapter |20 pages

Spectacular Justice

Aesthetics and Power in the Gandhi Murder Trial