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      Book

      Intersecting Art and Technology in Practice
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      Book

      Intersecting Art and Technology in Practice

      DOI link for Intersecting Art and Technology in Practice

      Intersecting Art and Technology in Practice book

      Techne/Technique/Technology

      Intersecting Art and Technology in Practice

      DOI link for Intersecting Art and Technology in Practice

      Intersecting Art and Technology in Practice book

      Techne/Technique/Technology
      Edited ByCamille C Baker, Kate Sicchio
      Edition 1st Edition
      First Published 2016
      eBook Published 21 December 2016
      Pub. Location New York
      Imprint Routledge
      DOI https://doi.org/10.4324/9781315678092
      Pages 242
      eBook ISBN 9781315678092
      Subjects Arts, Humanities
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      Baker, C.C., & Sicchio, K. (Eds.). (2016). Intersecting Art and Technology in Practice: Techne/Technique/Technology (1st ed.). Routledge. https://doi.org/10.4324/9781315678092

      ABSTRACT

      This book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation, in making digital and electronic technology-based art. Less interested in the outcome itself – the artefact, artwork or performance – contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice.

      TABLE OF CONTENTS

      chapter |8 pages

      Introduction

      ByCAMILLE C BAKER AND KATE SICCHIO

      part |2 pages

      Theme 1 Artistic Process/Challenges

      chapter 1|14 pages

      Intuition and Creative Process Methodologies in Digital Performance

      ByCAMILLE C BAKER

      chapter 2|6 pages

      60 mA: Experimenting with Performing with Electrodes/ Experiences in Digital Art Practice GEORG HOBMEIER

      chapter 3|11 pages

      The Bleeding Self in Digital Performance Practice: A Phenomenology of Self through the Making Process

      ByLORNA MOORE

      chapter 4|7 pages

      Making Speculative Technologies

      ByKRISTINA ANDERSEN

      chapter 5|11 pages

      Construction of Processes to Live Audiovisual Performance

      ByANA CARVALHO

      chapter 6|13 pages

      NO PLACE: Presence, Performance and Virtuality

      ByKATE GENEVIEVE

      chapter 7|14 pages

      Imagination, Art and Reality

      ByBENJAMIN DAVID ROBERT BOGART

      part |2 pages

      Theme 2 Collaborations

      chapter 8|15 pages

      Cultivating PermaCultural Resilience (pCr): The PermaCultural Dérive as an Itinerant’s Approach to a Techne of Becoming

      ByANITA MCKEOWN

      chapter 9|8 pages

      The Immanent Researcher

      ByKATE SICCHIO

      chapter 10|16 pages

      Temporal Scaffolding: A Collaborative and Networked Infrastructure of Techne, Screendance, AR, Affect, Audiences and Smart Mobile Devices in the Project AffeXity

      ByJEANNETTE GINSLOV

      chapter 11|14 pages

      Neurocinematics: A Filmmaker’s Reflections of Collaboration with Neuroscientists

      ByPIA TIKKA

      chapter 12|13 pages

      Shifting Our Horizons: Exploring Mobility in Micro Production and Floating Exhibitions

      ByMAX R . C . SCHLESER AND ANTONY NEVIN

      part |2 pages

      Theme 3 Shared Knowledge

      chapter 13|12 pages

      We Collaborate [T]here: Processes of Networked Collaboration

      ByHELEN VARLEY JAMIESON

      chapter 14|13 pages

      Methodologies of Risk and Experimental Prototyping

      ByNANCY MAURO - FLUDE

      chapter 15|16 pages

      Behind the Idea: Meta- Models for Creativity

      ByALISON WILLIAMS

      chapter 16|9 pages

      Mass Collaboration through Software and Why We Need a ‘Keeper’ Movement

      ByALEX MAY

      chapter 17|13 pages

      Generative Approaches for Meaning Making in Art

      ByALEKSANDRA DULIC, KENNETH NEWBY
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