ABSTRACT

This book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation, in making digital and electronic technology-based art. Less interested in the outcome itself – the artefact, artwork or performance – contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice.

chapter |8 pages

Introduction

ByCAMILLE C BAKER AND KATE SICCHIO

part |2 pages

Theme 1 Artistic Process/Challenges

chapter 1|14 pages

Intuition and Creative Process Methodologies in Digital Performance

ByCAMILLE C BAKER

chapter 4|7 pages

Making Speculative Technologies

ByKRISTINA ANDERSEN

chapter 5|11 pages

Construction of Processes to Live Audiovisual Performance

ByANA CARVALHO

chapter 6|13 pages

NO PLACE: Presence, Performance and Virtuality

ByKATE GENEVIEVE

chapter 7|14 pages

Imagination, Art and Reality

ByBENJAMIN DAVID ROBERT BOGART

part |2 pages

Theme 3 Shared Knowledge

chapter 13|12 pages

We Collaborate [T]here: Processes of Networked Collaboration

ByHELEN VARLEY JAMIESON

chapter 14|13 pages

Methodologies of Risk and Experimental Prototyping

ByNANCY MAURO - FLUDE

chapter 15|16 pages

Behind the Idea: Meta- Models for Creativity

ByALISON WILLIAMS

chapter 17|13 pages

Generative Approaches for Meaning Making in Art

ByALEKSANDRA DULIC, KENNETH NEWBY