ABSTRACT
The Routledge Companion to Cinema and Politics brings together forty essays by leading film scholars and filmmakers in order to discuss the complex relationship between cinema and politics.
Organised into eight sections - Approaches to Film and Politics; Film, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary - this collection covers a broad range of topics, including: third cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others.
It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking, itself, is a political act.
TABLE OF CONTENTS
part |64 pages
Approaches to cinema and politics
part |60 pages
Cinema, activism and opposition
part |62 pages
Film, propaganda, ideology and the state
chapter |10 pages
Between ‘Information' and ‘Inspiration'
chapter |14 pages
Striving for the Maximum Appeal
chapter |11 pages
“Victory Doesn't always look the way other People Imagine It”
part |68 pages
The politics of mobility
chapter |12 pages
A Bridge Over Troubled Water?
part |58 pages
Political Hollywood
part |60 pages
Alternative and independent film and politics
chapter |15 pages
Politics, ‘Indie-Style'
chapter |10 pages
Dismantling the System from within
part |60 pages
The politics of cine-geographies
part |58 pages
The politics of documentary