ABSTRACT

The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted—often politically motivated—value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking.

chapter |20 pages

Introduction

The longitude and latitude of World Cinema
ByRob Stone, Paul Cooke, Stephanie Dennison, Alex Marlow-Mann

part I|243 pages

Longitude

chapter 1|10 pages

The cinematic and the real in contemporary Chinese cinema

ByYingjin Zhang

chapter 2|11 pages

Southeast Asian independent cinema

A World Cinema movement
ByJonathan Driskell

chapter 3|15 pages

Global intimacy and cultural intoxication

Japanese and Korean film in the twenty-first century
ByFelicity Gee

chapter 4|14 pages

Media refashioning

From Nollywood to New Nollywood
ByJeffrey Geiger

chapter 5|14 pages

Framing democracy

Film in post-democracy South Africa
ByIan-Malcolm Rijsdijk

chapter 6|10 pages

Brazilian cinema on the global screen

ByStephanie Dennison

chapter 7|14 pages

Transnational filmmaking in South America

ByDolores Tierney

chapter 8|11 pages

Connected in “another way”

Repetition, difference and identity in Caribbean cinema
ByDunja Fehimović

chapter 9|14 pages

Women’s (r)evolutions in Mexican cinema

ByNiamh Thornton

chapter 10|10 pages

Popular cinema/quality television

The audio-visual sector in Spain
ByPaul Julian Smith

chapter 11|11 pages

Contemporary Scandinavian cinema

Between art and commerce
ByOlof Hedling

chapter 12|10 pages

British cinemas

Critical and historical debates
ByJames Chapman

chapter 13|14 pages

Developments in Eastern European cinemas since 1989

ByElżbieta Ostrowska, Joanna Rydzewska

chapter 14|11 pages

Cinema at the edges of the European Union

New dynamics in the South and the East
ByLydia Papadimitriou

chapter 15|11 pages

The non/industries of film and the Palestinian emergent film economy

ByViviane Saglier

chapter 17|12 pages

The forking paths of Indian cinema

Revisiting Hindi films through their regional networks
ByMadhuja Mukherjee

chapter 18|12 pages

American indie film and international art cinema

Points of distinction and overlap
ByGeoff King

chapter 19|15 pages

Canadian cinema(s)

ByChristopher E. Gittings

chapter 20|12 pages

Conventions, preventions and interventions

Australasian cinema since the 1970s
ByJonathan Rayner

part II|232 pages

Latitude

chapter 21|12 pages

Cinemas of citizens and cinemas of sentiment

World Cinema in flux
ByRob Stone

chapter 22|11 pages

Transworld cinemas

Film-philosophies for world cinemas’ engagement with world history
ByDavid Martin-Jones

chapter 23|9 pages

Transnational cinema

Mapping a field of study
ByDeborah Shaw

chapter 25|13 pages

Realist cinema as World Cinema 1

ByLúcia Nagib

chapter 26|14 pages

Regional cinema

Micro-mapping and glocalisation
ByAlex Marlow-Mann

chapter 27|10 pages

Global women’s cinema

ByKate Ince

chapter 28|12 pages

Provincialising heterosexuality

Queer style, World Cinema
ByRosalind Galt, Karl Schoonover

chapter 29|10 pages

Stars across borders

The vexed question of stars’ exportability
ByGinette Vincendeau

chapter 30|13 pages

Film Fusions

The cult film in World Cinema
ByMark Goodall

chapter 31|11 pages

Perpetual motion pictures

Sisyphean burden and the global screen franchise
ByJames Walters

chapter 32|11 pages

Screening World Cinema at film festivals

Festivalisation and (staged) authenticity
ByMarijke de Valck

chapter 33|11 pages

Cinephilia goes global

Loving cinema in the post-cinematic age
ByBelén Vidal

chapter 34|11 pages

Another (hi)story?

Reinvestigating the relationship between cinema and history
ByVito Zagarrio

chapter 35|10 pages

Archival cinema

ByPaolo Cherchi Usai

chapter 36|9 pages

Digital cinemas

BySean Cubitt

chapter 37|10 pages

Access and power

Film distribution, re-intermediation and piracy
ByVirginia Crisp

chapter 38|12 pages

The emerging global screen ecology of social media entertainment

ByStuart Cunningham, David Craig

chapter 39|15 pages

Remapping World Cinema through audience research 1

ByHuw D. Jones

chapter 40|15 pages

Eyes on the future

World Cinema and transnational capacity building
ByMette Hjort