This book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange. The authors offer a provocative argument for rethinking the scholarly assessment of how diverse performative cultures interact, how they are interwoven, and how they are dependent upon each other.

While the term ‘intercultural theatre’ as a concept points back to postcolonialism and its contradictions, The Politics of Interweaving Performance Cultures explores global developments in the performing arts that cannot adequately be explained and understood using postcolonial theory. The authors challenge the dichotomy ‘the West and the rest’ – where Western cultures are ‘universal’ and non-Western cultures are ‘particular’ – as well as ideas of national culture and cultural ownership.

This volume uses international case studies to explore the politics of globalization, looking at new paternalistic forms of exchange and the new inequalities emerging from it. These case studies are guided by the principle that processes of interweaving performance cultures are, in fact, political processes. The authors explore the inextricability of the aesthetic and the political, whereby aesthetics cannot be perceived as opposite to the political; rather, the aesthetic is the political.

Helen Gilbert’s essay ‘Let the Games Begin: Pageants, Protests, Indigeneity (1968–2010)’won the 2015 Marlis Thiersch Prize for best essay from the Australasian Drama, Theatre and Performance Studies Association.

chapter |21 pages

Interweaving Performance Cultures—Rethinking ‘Intercultural Theatre’

Toward an Experience and Theory of Performance beyond Postcolonialism

part |72 pages

Strategies and Dynamics

chapter |18 pages

Postcolonial Modernity

Theatre in Morocco and the Interweaving Loop

chapter |18 pages

Performing Orientalist, Intercultural, and Globalized Modernities

The Case of Les Naufragés du Fol Espoir by the Théâtre Du Soleil

part |81 pages

Rituals and Festivals

chapter |18 pages

Un/Familiar Landscapes

Tragedy and Festivals

chapter |20 pages

‘Let the Games Begin’

Pageants, Protests, Indigeneity (1968–2010)

part |81 pages

Failures and Resistances

chapter |22 pages

Hauntings of the Intercultural

Enigmas and Lessons on the Borders of Failure

chapter |22 pages

Strategic Unweaving

Itō Michio and the Diasporic Dancing Body

chapter |19 pages

Failed Stages

Postcolonial Public Spheres and the Search for a Caribbean Theatre