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      Book

      Fragmentation of the Photographic Image in the Digital Age
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      Book

      Fragmentation of the Photographic Image in the Digital Age

      DOI link for Fragmentation of the Photographic Image in the Digital Age

      Fragmentation of the Photographic Image in the Digital Age book

      Fragmentation of the Photographic Image in the Digital Age

      DOI link for Fragmentation of the Photographic Image in the Digital Age

      Fragmentation of the Photographic Image in the Digital Age book

      ByDaniel Rubinstein
      Edition 1st Edition
      First Published 2019
      eBook Published 29 October 2019
      Pub. Location New York
      Imprint Routledge
      DOI https://doi.org/10.4324/9781351027946
      Pages 238
      eBook ISBN 9781351027946
      Subjects Arts, Computer Science, Humanities
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      Rubinstein, D. (2019). Fragmentation of the Photographic Image in the Digital Age (1st ed.). Routledge. https://doi.org/10.4324/9781351027946

      ABSTRACT

      Fragmentation of the Photographic Image in the Digital Age challenges orthodoxies of photographic theory and practice. Beyond understanding the image as a static representation of reality, it shows photography as a linchpin of dynamic developments in augmented intelligence, neuroscience, critical theory, and cybernetic cultures. Through essays by leading philosophers, political theorists, software artists, media researchers, curators, and experimental programmers, photography emerges not as a mimetic or a recording device but simultaneously as a new type of critical discipline and a new art form that stands at the crossroads of visual art, contemporary philosophy, and digital technologies.

      TABLE OF CONTENTS

      chapter 1|7 pages

      The New Paradigm

      ByDaniel Rubinstein

      part Part I|1 pages

      From Pictorial Practices to Algorithmic Capitalism

      chapter 2|17 pages

      Images Without Worlds

      ByClaire Colebrook

      chapter 3|15 pages

      Undoing Imperial Modernity

      ByAriella Azoulay

      chapter 4|13 pages

      Between Topography and Topology

      BySusan Trangmar

      chapter 5|16 pages

      Creating London’s Image

      ByPat Naldi

      chapter 6|7 pages

      Drone Alliances

      BySarah Tuck

      part Part II|1 pages

      The Image Between Representation and Automation

      chapter 7|17 pages

      From Photographic Representation to the ‘Photographic Genotype’

      ByYael Eylat Van Essen

      chapter 8|15 pages

      Graven Images

      ByDaniel Rubinstein

      chapter 9|13 pages

      Refuse to Let the Syntaxes of (a) History Direct Our Futures

      ByRosa Menkman

      chapter 10|13 pages

      Atoms and Worms (Ontologies of Fragments)

      ByJamie Brassett

      chapter 11|9 pages

      Photographic Futures

      ByArmen Avanessian, Anke Hennig

      part Part III|1 pages

      The Materialism of Networked Intelligence

      chapter 12|14 pages

      Empathy and Gesture

      Aby Warburg in La cappella Sassetti
      ByAndrew Benjamin

      chapter 13|18 pages

      Post-Photographic Frenzy

      ByJoseph Nechvatal

      chapter 14|14 pages

      The Defragmenting Image

      Stories in Cinematic Time-Travel
      ByJohn Ó Maoilearca

      chapter 15|8 pages

      Introduction to Natural Language Processing

      ByAnamarija Ami Podrebarac

      chapter 16|12 pages

      The Photograph of Thought

      ByJohnny Golding

      chapter 17|1 pages

      Plates

      ByDaniel Rubinstein
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