ABSTRACT

Research Methods in Performance Studies offers a unique approach for readers to engage with performance research and methods in practice. It examines ways of making performance, researching performance cultures, researching performers who themselves are engaged in research, and conducting research in the context of enduring and emergent themes of performance studies inquiry.

This book features the work of eighteen scholar-artists currently working in performance studies who demonstrate—through applied projects—various methods for conducting performance research. The result is a wide array of novel scholarship including activist performance, slam poetry, video performance, stand-up comedy, adaptation for the Broadway stage, naturecultural performance, intersectional performance, performances of cultural and material preservation, and many others.

Faculty, undergraduate and graduate students, and performance practitioners alike will benefit from the approaches to performance studies research methods articulated by the scholar-artists featured in this collection.

chapter |14 pages

Introduction

Performance, Performativity, Research, Method

part Section I|54 pages

Means of Making

chapter 161|14 pages

Adaptation of Literature as Method

Text, Politics, and Representation

chapter 3|10 pages

A Critical Method for Performing Popular Texts

The Adventures of Little Red Riding Hood as Case Study

chapter 4|13 pages

Personal Narrative Performance Research

The Visceral, Collaborative, and Susceptible Exploration of the Stories We Tell Others

part Section II|50 pages

Researching Performance Cultures

chapter 705|11 pages

Disability and Performance

chapter 7|9 pages

The Ethnography of Poetry

Or, Slamming Methods

chapter 9|8 pages

Beyond the Bounds of the Classroom

Facilitating Students' Public Performances

part Section III|62 pages

Researching Performers/Performers Researching

chapter 11|19 pages

Performative Autoethnography

A Matterphor of Things

chapter 12|9 pages

Race and Social Justice

Performing the Radical Imagination

chapter 13|10 pages

Critical/Performance Ethnography, Oral History Performance, and Listening

Notes on Methods for Living Research

chapter 14|8 pages

The Hero's Journey

Creating a Theatre/Storytelling Performance Inspired by the Work of Joseph Campbell

part Section IV|47 pages

Emerging and Enduring Contexts

chapter 18215|15 pages

Posthumanist Performance Studies

Four Practical Assertions

chapter 16|10 pages

Tourism

chapter 17|10 pages

Performance, Technologies, Ontologies

The Video Performance Does Not Stand Alone

chapter 18|10 pages

Navigating Place as a Performance Studies Researcher

Waypoints and Breadcrumbs