ABSTRACT

This edited volume’s chief aim is to bring together, in an English-language source, the principal histories and narratives of some of the most significant academies and national schools of art in South America, Mexico, and the Caribbean, from the late 18th to the early 20th centuries.

The book highlights not only issues shared by Latin American academies of art but also those that differentiate them from their European counterparts. Authors examine issues including statutes, the influence of workshops and guilds, the importance of patronage, discourses of race and ethnicity in visual pedagogy, and European models versus the quest for national schools. It also offers first-time English translations of many foundational documents from several significant academies and schools.

This book will be of interest to scholars in art history, Latin American and Hispanic studies, and modern visual cultures.

part I|14 pages

Introduction

part II|146 pages

The Academies and Schools

chapter 1|15 pages

Between Buenos Aires and Europe

Cosmopolitanism, Pensionnaires, and Arts Education in Late 19th Century Argentina

chapter 2|16 pages

From “Academy” to “School”

Transformations in the Academy of Fine Arts in Rio de Janeiro (1816–1930)

chapter 3|12 pages

Visual Arts Education in Chile

Construction and Development of a State-Led Artistic System (1849–1959)

chapter 4|14 pages

Forming the National School of Fine Arts in Colombia

Local Desires and External Influences

chapter 5|13 pages

The Coloniality of Aesthetics

Regulating Race and Buen Gusto in Cuba’s 19th-Century Academy

chapter 7|16 pages

Between Peninsulares and Mexican Academicians

Jerónimo Gil and the Founding of the San Carlos Academy in New Spain*

chapter 8|15 pages

The First Decade of Peru’s National School of Fine Arts

Nationalism and Indigenismo in the “Patria Nueva” *