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      Book

      Creativity Across Domains
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      Book

      Creativity Across Domains

      DOI link for Creativity Across Domains

      Creativity Across Domains book

      Faces of the Muse

      Creativity Across Domains

      DOI link for Creativity Across Domains

      Creativity Across Domains book

      Faces of the Muse
      Edited ByJames C. Kaufman, John Baer
      Edition 1st Edition
      First Published 2004
      eBook Published 15 December 2004
      Pub. Location New York
      Imprint Psychology Press
      DOI https://doi.org/10.4324/9781410611925
      Pages 304
      eBook ISBN 9781410611925
      Subjects Behavioral Sciences
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      Kaufman, J.C., & Baer, J. (Eds.). (2004). Creativity Across Domains: Faces of the Muse (1st ed.). Psychology Press. https://doi.org/10.4324/9781410611925

      ABSTRACT

      Creativity Across Domains: Faces of the Muse sorts through the sometimes-confusing theoretical diversity that domain specificity has spawned. It also brings together writers who have studied creative thinkers in different areas, such as the various arts, sciences, and communication/leadership. Each contributor explains what is known about the cognitive processes, ways of conceptualizing and solving problems, personality and motivational attributes, guiding metaphors, and work habits or styles that best characterize creative people within the domain he or she has investigated.

      In addition, this book features:
      *an examination of how creativity is similar and different in diverse domains;
      *chapters written by an expert on creativity in the domain about which he or she is writing;
      *a chapter on creativity in psychology which examines patterns of performance leading to creative eminence in different areas of psychology; and
      *a final chapter proposing a new theory of creativity--the Amusement Park Theoretical Model.

      This book appeals to creativity researchers and students of creativity; cognitive, education, social, and developmental psychologists; and educated laypeople interested in exploring their own creativity.

      TABLE OF CONTENTS

      chapter 1|22 pages

      The Creative Process in Poets

      ByJane Piirto

      chapter 2|18 pages

      Flow and the Art of Fiction

      BySusan K. Perry

      chapter 3|18 pages

      Acting

      ByR. Keith Sawyer

      chapter 4|22 pages

      Should Creativity Be a Visual Arts Orphan?

      ByEnid Zimmerman

      chapter 5|22 pages

      Creativity and Dance—A Call for Balance

      ByJohn I. Morris

      chapter 6|20 pages

      Musical Creativity Research

      ByMarc Leman

      chapter 7|16 pages

      Domain-Specific Creativity in the Physical Sciences

      ByGregory J. Feist

      chapter 8|14 pages

      Creativity in Psychology: On Becoming and Being a Great Psychologist

      ByDean Keith Simonton

      chapter 9|16 pages

      Creativity in Computer Science

      ByDaniel Saunders, Paul Thagard

      chapter 10|18 pages

      Engineering Creativity: A Systems Concept of Functional Creativity

      ByDavid Cropley, Arthur Cropley

      chapter 11|18 pages

      Creativity as a General and a Domain-Specific Ability: The Domain of Mathematics as an Exemplar

      ByRoberta M. Milgram, Nava L. Livne

      chapter 12|20 pages

      Creative Problem-Solving Skills in Leadership: Direction, Actions, and Reactions

      ByMichael D. Mumford, Jill M. Strange, Gina Marie Scott, Blaine P. Gaddis

      chapter 13|20 pages

      Emotions as Mediators and as Products of Creative Activity

      ByJames R. Averill

      chapter 14|16 pages

      Selective Retention Processes That Create Tensions Between Novelty and Value in Business Domains

      ByCameron M. Ford, Diane M. Sullivan

      chapter 15|20 pages

      Management: Synchronizing Different Kinds of Creativity

      ByMin Basadur

      chapter 16|18 pages

      Creativity in Teaching: Essential Knowledge, Skills, and Dispositions

      ByDon Ambrose

      chapter 17|8 pages

      The Domain Generality Versus Specificity Debate: How Should It Be Posed?

      ByRobert J. Sternberg

      chapter 18|6 pages

      The (Relatively) Generalist View of Creativity

      ByJonathan A. Plucker

      chapter 19|8 pages

      Whence Creativity? Overlapping and Dual-Aspect Skills and Traits

      ByJohn Baer, James C. Kaufman

      chapter 20|8 pages

      The Amusement Park Theory of Creativity

      ByJames C. Kaufman, John Baer
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