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Book

Made in Italy

Book

Made in Italy

DOI link for Made in Italy

Made in Italy book

Studies in Popular Music

Made in Italy

DOI link for Made in Italy

Made in Italy book

Studies in Popular Music
Edited ByFranco Fabbri, Goffredo Plastino
Edition 1st Edition
First Published 2013
eBook Published 8 November 2013
Pub. Location New York
Imprint Routledge
DOI https://doi.org/10.4324/9780203157527
Pages 272
eBook ISBN 9780203157527
Subjects Arts
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Plastino, G., & Fabbri, F. (Eds.). (2013). Made in Italy: Studies in Popular Music (1st ed.). Routledge. https://doi.org/10.4324/9780203157527

ABSTRACT

Made in Italy serves as a comprehensive and rigorous introduction to the history, sociology, and musicology of contemporary Italian popular music. Each essay, written by a leading scholar of Italian music, covers the major figures, styles, and social contexts of pop music in Italy and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Italian popular music. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Themes; Singer-Songwriters; and Stories.

TABLE OF CONTENTS

chapter |12 pages

Introduction: An Egg of Columbus: How Can Italian Popular Music Studies Stand on Their Own?

ByFRANCO FABBRI, GOFFREDO PLASTINO

part |4 pages

Part I: Themes

chapter 1|11 pages

Italy in Music: A Sweeping (and Somewhat Audacious) Reconstruction of a Problematic Identity

ByMARCELLO SORCE KELLER

chapter 2|13 pages

Sanremo Effects: The Festival and the Italian Canzone (1950s–1960s)

ByROBERTO AGOSTINI

chapter 3|15 pages

And the Bitt Went On

ByFRANCO FABBRI

chapter 4|16 pages

Naples Power: Neapolitan Sounds of the 1970s

ByGOFFREDO PLASTINO

chapter 5|11 pages

Music Economies and Markets in Italy

ByFRANCESCO D’AMATO

part |4 pages

Part II: Singer-Songwriters

chapter 6|13 pages

A Portrait of the Author as an Artist: Ideology, Authenticity, and Stylization in the Canzone d’Autore

ByJACOPO TOMATIS

chapter 7|10 pages

Canzoni Diverse: A Semiotic Approach to Luigi Tenco’s Songs

ByLUCA MARCONI

chapter 8|13 pages

You Can Call Them, If You Like, Emotions: The (Un)Orthodox Songs of Lucio Battisti

ByLucio Battisti JACOPO CONTI

chapter 9|13 pages

Saved Souls: Locating Style in Fabrizio De André’s and Ivano Fossati’s Record Production

ByERRICO PAVESE

chapter 10|13 pages

Mystical Arrogance: Franco Battiato’s Esoteric Pop

ByALESSANDRO CARRERA

part |4 pages

Part III: Stories

chapter 11|9 pages

An Escape from Escapism: The Short History of Cantacronache

ByCARLO PESTELLI

chapter 12|10 pages

Virtuosity and Populism: The Everlasting Appeal of Mina and Celentano

ByPAOLO PRATO

chapter 13|13 pages

In the Court of a Foreign King: 1970s Italian Progressive Rock in the UK

ByALESSANDRO BRATUS

chapter 14|9 pages

Radiofreccia: A Rocker from Emilia behind the Film Camera

ByELENA BOSCHI

chapter 15|13 pages

Killer Melodies: The Musica Neomelodica Debate

ByVINCENZO PERNA

part |2 pages

Coda

chapter 16|12 pages

Lasciatemi Cantare and Other Diseases: Italian Popular Music, as Represented Abroad

ByDARIO MARTINELLI

part |2 pages

Afterword

chapter 17|11 pages

Provisionally Popular: A Conversation with Ennio Morricone

ByFRANCO FABBRI, GOFFREDO PLASTINO
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