ABSTRACT
The texts presented in Proportion Harmonies and Identities (PHI) Creating Through Mind and Emotions were compiled to establish a multidisciplinary platform for presenting, interacting, and disseminating research. This platform also aims to foster the awareness and discussion on Creating Through Mind and Emotions, focusing on different visions relevant to Architecture, Arts and Humanities, Design and Social Sciences, and its importance and benefits for the sense of identity, both individual and communal. The idea of Creating Through Mind and Emotions has been a powerful motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.
TABLE OF CONTENTS
part |51 pages
Part I Creating through mind and emotions
part |290 pages
Part II Architecture/urbanism/design
chapter |6 pages
Architecture as an extension of body and mind: Towards a consciousness of the body's experience in space
chapter |5 pages
The primitive hut: Empirical and emotional discovery for a theorization of architecture
chapter |4 pages
Investigating the potential for integrating pure shadow lines into architectural design process
chapter |7 pages
How creations can control minds: The railway stations of the dictatorial regime in Portugal
chapter |9 pages
Complexity and contradiction in Eduardo Souto de Moura's architecture: Some remarks on his creative process
chapter |7 pages
The enigmatic and poetic dynamic of penumbra: Creating and experimenting among reason, emotion, and imagination
chapter |6 pages
The foundation myth of St. Petersburg in the city guidebooks: Creating heritage through mind and emotions
chapter |6 pages
Fostering the common: Transformative socio-cultural innovation through co-creativity among citizens
chapter |6 pages
Migrant living archive: Practice to improve cultural integration in participatory art and design projects
part |59 pages
Part III Arts
chapter |5 pages
Identity in death: Communication and reflection through funerary art of the New Kingdom and revolutionary Egypt
chapter |7 pages
Mental and emotional processes in two post-Bomarzian parks: Buzzi's La Scarzuola and Saint Phalle's Tarots' Garden
chapter |7 pages
The spectacle of protest: The case of Budapest University of Theatre and Film Arts (SzFE)
chapter |7 pages
The heartbeat, neuroaesthetics, artistic research, and creation through mind and emotions
chapter |5 pages
Iannis Xenakis' drawing expands the morphological intuition-thought inside musical composition
part |78 pages
Part IVThe Humanities
chapter |7 pages
Fredrik Gabriel Hedberg: The reluctant author of an autobiographical conversion narrative
chapter |6 pages
The sacred space of gods and saints: Some considerations about the sea and exile in Irish mythology and tradition
chapter |4 pages
Creating the Otherness: Mind and emotions in the European making of 16th-century Japanese people
part |29 pages
Part V Social sciences